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The Making of Porter’s Visuals for their Vive Latino 2013 Performance

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So Tupac and Kenji from Satore Studio finally posted what we were all waiting for on the content side of the world: THE MAKING OF THEIR PORTER VISUALS from ViveLatino 2013!!!

From the Vimeo page, the bolding is mine:

In March 2013, a well known indie band “PORTER” came back to play again after 5 years. They decided to make a memorable show for their fans, a show to thank for all the waiting. They called Tupac Martir (a mexican visual designer who lives in London) to design the show. Tupac together with Kenji Ikenaga (mexican filmmaker) and Fabiola Ruiz Ortega ( editor and post producer) made the visuals for the show. This little documentary shows the creative and technical process behind this show. How they made the visual content for the comeback of Porter. This is a testimony of this work. I hope you enjoy it and live your coments about this work. Thanks PS.-Sorry for the translate you will find it inaccurate but made with the interest to let you know how we worked this project.

Not only do we get to see the video by two of the most creative people of our current time, but we get to enjoy the hilarious translation, too!  Check this out, then check out PORTER’s performance at ViveLatino 2013!

Making of the visuals for PORTER in VL13 english subtitles from Kenji Ikenaga on Vimeo.

Jim Hutchison Leaves CAST Software, Opens Lumen Buddha Studios – A Lighting Industries Think Tank and Design Studio

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I have the most amazing news to share, and I’ve had to hold it in for the last month…  Fortunately this isn’t an April Fools’ joke!

After four years with my extended CAST Group family, I’m very excited to tell the world that I am leaving CAST Group as the Product Manager for the industry lighting design suite wysiwyg and the Events and Meetings industry design product Vivien Event Designer to open a lighting industries think tank, design studio, and industry relations consulting firm!  World, please welcome Lumen Buddha Studios to the world of light!  The timing is right, the industry is right, and all of my cards have come together to make this happen.  We’ll be moving back to Dallas, Texas soon to begin this adventure!

My goal with Lumen Buddha Studios is three-fold, and I am making three definite divisions in the company:

  1. INDUSTRY THINK TANK:
    Lumen Buddha Studios will provide a resource for lighting industries companies that allows them access to the wealth of knowledge and understanding of the Lighting Industries, including consulting services for a number of industry subsets — Social Media, Research and Development, historical Industry trends, and Industry Intelligence to name a few.
  2. LIGHTING INDUSTRIES MEDIA OUTREACH:
    Lumen Buddha Studios will provide the most excellent services for Lighting Industries businesses to reach out into the Social Media world — many companies struggle to get real results from their Social Media outreach, and Lumen Buddha Studios  strives to provide that edge that the Lighting Industries need to survive!
  3. LIGHTING DESIGN, CONTENT, AND PRODUCTION STUDIO:
    Lumen Buddha Studios
    brings two designers with three decades of experience creating stunning designs for clients worldwide — myself, Jim Hutchison, Lighting Designer, consultant, and creator of JimOnLight.com, and Tupac Martir, Visual Designer, Light Magician, and creator of Satore Studio in London.  Tupac is bringing his entire studio team’s expertise to projects with Lumen Buddha Studios here in the United States.  I’m so very excited to have another unbelievably creative organization on board!  Lumen Buddha Studios will be offering Lighting Design and Production services to the Events Industry, Concert Production, Corporate Entertainment, Theatre, Dance, Opera, and most experimentally, grand scale Light Art!

This is the first in a few very large events happening in my career right now, and every single bit of it is due to this unbelievably excellent industry we all call home.  There’s some additional big news coming, but you have to wait for that one, just like me!  In the mean time, in addition to @JimOnLight on Twitter, please follow @LumenBuddha for news and information about the opening of this exciting event!  Make sure to also follow @TMartir (Tupac Martir) and @SatoreStudio to keep up with the exciting projects of our UK studio partner!

A message of thanks:
Thank you for all of the support and readership that you have all given me over the last six years.  JimOnLight.com is still going full-speed, and is showing no signs of stopping!  I’ll quit when you quit, and you have all been unbelievable in your support for this site everyday.  Thank you so very much for coming here to read about light every single wonderful day.  David and I wish it were in our power to personally thank each and every pair of eyes that comes here to learn about our favorite thing every single day, but obviously that would be impossible.

Thank you, Light Lovers of Planet Earth.

Porter at Vive Latino 2013 by Tupac Martir and Satore Studio

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I’m sitting on the couch having a chat with my buddy Tupac Martir the other day on Facebook (Tupac is the guy behind Satore Studio in London) about making video content on the iPad , and he sends me a little sketch video he made in a program called Brushes on his iPad.  It was what looked like a ghost having a conniption fit all around the room, I certainly thought it was pretty interesting.  No big deal or grand monumental earth-shattering brain convulsion took place or anything over this video – until I saw this video:

It all comes together as far as art goes — the images I saw from Tupac’s iPad weeks before turned into the background for Porter’s Host of A Ghost, live at Vive Latino 2013!  This is the band Porter at this year’s Vive Latino 2013 show.  Tupac and his team at Satore Studio created the content and the lighting for Porter’s set, and it was awesome!  Here’s Cuervos/No Te Encuentro by Porter at Vive Latino 2013, visuals and lighting by Tupac and Satore Studio:

You have to give it up to Tupac and his crew for the intermingling of color temperatures on this set — the cold, sterile whites from the arcs and the video mixed in with the warm incandescent PAR tones creates an underlying tone of depth that really comes through during the solid color frames from the screen images.  I love this!

I found out a bit more about the rig that Tupac was using for the show and about his illustrious team of magic makers…

THE RIG:
16 Mac 2000 Profile
16 Mac 2000 Wash
14 Martin Atomic Strobes
14 Molefay

FLOOR PACKAGE:
6 trusses, each with 6 PAR 64, 1 Mac Aura, 1 Atomic 3000, and 6 Mac 2000 Profiles on the floor

VIDEO:
1 Catalyst running 6 layers

CONTROL:
1 GrandMA 1 Full size
Show pre-viz in WYSIWYG
Pre-viz using MA on PC

Satore Studio Team:

Creative Director:
Tupac Martir

Lighting Associate:
Muly Yechezkel

Content Creator:
Kenji Ikenaga

Content Assistant:
Fabiola Ruiz-Ortega

Assistant Model Maker:
Patricia Arellano

Production Manager: 
Juan Pablo de la Torre
from Showbox Inc

Tupac also mentioned that Kenji Ikenaga, the Content Creator for the gig, will be making a video breakdown of each visual and how it was made technically and conceptually!  Here’s a teaser…

teaser del making of de Daphne from Kenji Ikenaga on Vimeo.

Awesome work, Satore Studio!  Be sure to follow Tupac on Facebook and Tupac on Twitter!

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Tupac Martir’s Satore Studio is About to Rock Your Face

There are a very small group of people who live in our society who see things in the way that we all see things in our heads, but have the ability to take those brilliant, beautiful twilight thoughts and make them real for all to experience.  These people have the ability inside them to transform a location with art and light completely, or tell a story so vivid and so real that the lines between the production they design and the experience the audience has are blurred beyond reality.  My friend Ann Davis is one of those artists, Peter Morse and Jeff Waful are too; TJ Gerckens is one of those artists, as is Martin Kuhn from Moodbox in Switzerland.

This post is about one of those kinds of artists – the kind of person who sees a different color at night than most.  This post is about Tupac Martir of Satore Studio – so, JimOnLight readers, meet Tupac Martir — in this instance talking about one of his works, Nierka:

Now meet Tupac and his Satore Studio:

Show reel from Satore Studio on Vimeo.

It’s a rare occurrence when you meet someone whose ideas are so revolutionary, so different from mainstream thinking that they produce mainstream thinking.  It’s something that we all strive for, but you either have that talent or you do not have that talent.  No matter how much you pay on Yale, sometimes you just don’t have it.  Tupac has this talent; it always frankly just blows my mind when we talk about the projects he’s doing and the work that his firm is plotting.  An example of this would be one of his recent works, Nierka.  Or, if you happened to be at Coachella Music Festival this season back in April 2011, you would have seen Tupac’s work as well (in collaboration with another outstanding design firm, United Visual Artists):

Tupac does all kinds of design work with his firm all over the world.  His touch extends to artists like Beyonce, Elton John, Sting, Jon Bon Jovi — and to the fashion world, bringing his intimate knowledge of lighting to create overwhelmingly beautiful runway events during Fashion Week for designers from Vivienne Westwood to Alexander McQueen and everything in between.  Designers like Tupac Martir (in a small pool of creative visionaries of our day like Neil Austin, Ann Davis, definitely Kevin Adams) are what I see as the next round of Appia and Craig in our society — in other words, these are the kinds of people to bring about the next big change to the way we think about certain things in our lives.  And, if not everyone will see and experience these changes, at least those of us who see their works, experience their art, and perhaps get lucky enough to collaborate on a project can have that realization that comes with seeing the work of a committed visionary.  You have to get it how and while you can get it, right?  I mean, “eh?”

I met Tupac because Nierka is using the BlackTrax technology from CAST.  We met at the ProLight + Sound Show in Frankfurt, and became fast friends.  It’s the whole “brother from another mother” thing that happens in the Universe, you know how it goes.  The man has creativity falling out of his beard; it’s hard to tie it down to one or two brilliant things.  I recently gave a seminar at PLASA 2012 with Tupac on using the wysiwyg suite to solve production problems, and I’ll share some of that seminar soon — but it was a pleasure to share the stage with an artist who is as proficient technically as they are artistically.  That’s right — Satore Studio is known for having f%$#ing amazing production paperwork.  I’M IN LOVE!  Stage Managers across the world unite — an artist CAN have excellent paperwork AND create great designs!

You have to see the video of Nierka below — it shows what Tupac is doing with tracking, and it’s pretty cool:

More Tupac and Satore Studio eye porn:

If you’re trying to find out who’s hottest and who’s doing the most innovative work, make sure that Tupac Martir and Satore Studio is on the top of your list.  I’ll be posting more about Tupac Martir and Satore Studio’s work as the days grow on.  Have an awesome Monday, everyone!

Update, Monday, September 17, 2012 @ 0746:
New photos from Satore Studio’s lighting of London Fashion Week — Williamson, Westwood, and House of Holland!  Beautiful!  See below.