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A JimOnLight Life Update

Lumiere on her throne

Holy crap, I miss my freaking cat.

I have gotten quite a few emails about what I’ve been up to lately, so I figured a post is in order!  Life has taken me all kinds of places and in all kinds of directions over the last three months – it’s been a whirlwind, that is fo sho.  Back in December, I left teaching to take a promotion at CAST Software as the Product Manager for wysiwyg and Vivien Event Designer.  I have been working for CAST for about three years writing product copy and technical articles, and the job as product manager opened up back in December.  Pretty much everything has been going full speed since then.  I have been here and there, I just drove halfway across the country (from Oklahoma City to Iowa to Toronto) in my Mustang.  I had to drop of Lumiere at Grandma’s house so Daddy could come up to Toronto and work.

So I did this:

in this:

Misti the Mustang

You know, it’s true – they didn’t design Mustang seats for long-range comfort.  Yeah, I bought a Mustang.  Yeah, I f*cking love it.

A few weeks ago I saw a bunch of you at PLASA Focus in Austin, TX – got to spend three days with Rick and Adri and a ton of other awesome people, saw The Swinging Johnsons play at Antones, had an awesome breakfast with Gil and Bruce from CAST and Matthew Griffiths from PLASA (that guy is pretty cool!).  I think it’s a goal in my life to get Gil Densham to belly laugh.  I’LL DO IT, yes I will!

I have video and photos from PLASA Focus – they’re coming.  Hold tight.  I’m also finishing up the first episode of JimOnLight TV!

So now I’m up here in Toronto working my butt off and loving every minute of what I’m doing.  Besides JimOnLight.com, it’s been a LONG time since I’ve felt like that.  I’m living in a hotel right now; it’s a nice hotel and all, but I am very, very excited to get the **** out of here and into my own place.  I am looking at a place this evening that I want, really close to the office, and in a nice area.  I wish I could explain how thrilled I am at the prospect of getting out of this hotel and having my routines back!  Oh, and having my little meower back?  HOLY SH*T!  I have been without her for about three weeks now, and I miss the heck out of her.  it’s so funny – I never really thought of the impact of literally spending all day every day with her and then not being around her for a month or more.  That sucks!  My mom is saving my ass right now too, she’s watching lil’ miss kitty until I can get moved and come and pick her up.

Meow, eh?

Of course, I guess I could get out more.

So right now, I have three people I really like helping me make JimOnLight one of the world’s most visited lighting websites.  I have two jobs that I am completely in love with — I get to write JimOnLight AND I’m working on the cutting edge of pre-viz and tracking tech.  I get to do what I love all day long (and sometimes all night just because I can!) and I feel very lucky.  Now if I can get my cat up here and get her to poop in the toilet?

Amazing.

Jim Hutchison Promoted to Product Manager at CAST Software

W00T! <hands raised in the air quite in the same fashion as if I didn’t care>

So this is some pretty awesome news I want to share!  I am not really a press release guy, but this is MY press release!  Sorry I’ve had to be so secretive about this news, there was some Immigration stuff that had to happen first before it could all be released!  I’ve taking over the Product Manager gig at CAST Software in Toronto, Canada for wysiwyg and Vivien Virtual Event Designer!  I’m moving up here to Canada for a while, but still doing the tradeshow route and traveling the globe talking about light and the world of lighting!  Here’s the release, sent earlier today:

TORONTO – CAST Software of Toronto announces the promotion of Jim Hutchison, creator and editor of the internationally renowned JimOnLight.com, stepping up to assume the role of Product Manager for CAST Software’s wysiwyg as well as for Vivien Virtual Event Designer, the CAST software suite for the special events industry.  

Hutchison has been contributing marketing and technical copy for CAST Software as their Social Media Manager since early 2009, in addition to writing various articles for the company’s newsletter, The Plan. Given his technical experience with the company’s products, CAST has chosen Hutchison to lead the way forward for wysiwyg and Vivien Virtual Event Designer.

“I’m beyond thrilled to be leading the amazing development team at CAST,” Hutchison said. “I’ve been a wysiwyg User since Release 4, and I don’t think that there is a design I haven’t created in wysiwyg since the early part of this century. I love the products, I love the teams, and I love talking to our Users about how wysiwyg works for them. I’m excited to bring my industry enthusiasm and knowledge to the Product Manager role.”

Before joining CAST Software, Hutchison was a full time writer, lighting designer, and professor, teaching lighting design and production lighting technology. He started JimOnLight.com in 2008, writing about all genres and applications of lighting. He is a practicing lighting designer, a member of United Scenic Artists Local 829 and a contributing member of the Illuminating Engineering Society of North America.

Gil Densham, CEO of CAST, says, “We are excited to have Jim’s enthusiasm and industry expertise in the Product Manager’s role. Knowing the vigor Jim invests, it will no longer be quiet around CAST as we look forward to the future, with a grander vision for wysiwyg and Vivien Virtual Event Designer.”

Email Hutchison at jimh@cast-soft.com or phone him at +1.416.597.2278 x271.

Somebody asked me at PLASA Focus if I was still going to be writing JimOnLight.com.  I had to respond with “OMFG OF COURSE I AM.  I’m JimOnLight!

CAST Software Slams R25 Down Onto the Design and Visualization Software Table

Writing reviews of products is a hard thing.  It is one of the hardest things about being a writer, contrary to popular opinion.

It’s no secret that I am a fan of the wysiwyg Lighting Design suite, I’ve been using it for years.  Pretty much every show I’ve designed over the last five years has been done in a version of wysiwyg.  I design them, print out the plot and paperwork, make pretty renderings for the client of what the show’s gonna look like down to the texture on the carpet on the camera riser if they want, and spend some time in virtual reality programming my palettes and positions to write the show totally offline.

I got to beta test R25 when it was being run through the paces.  I designed a show in R25 beta that I executed this last week in Tampa – corporate show, medium sized rig in 3 ballrooms, maybe 2500 people.  I was behind the Hog III driving my lighting spaceship to give the client a good show.  Everything was programmed offline with updates on site, all through wysiwyg Perform Unlimited.  Epic success prevailed.  Looks are accurate, as are the photometrics.  I’ll put my renders up against renders from Dialux, AutoCAD, or VectorWorks any day, any time.  When I walk on site, I have confidence that the hard work I put into designing each show comes with me in that little purple dongle.

To first be critical – for my experience as a user, wysiwyg R25 solved my issues in the CAD department.  The addition of a toolbar to deal with text solved a long time personal annoyance with the product.  Such a simple addition, but so important.  It’s a fine detail point – R25 has a lot of very fine detail hones, and some major implementation of other new features.  One such feature is the ability to export fixture point-of-view images to the third party lighting control app we all love, Luminair for iPhone and iPod.  On a side note, Ryan Hisey from Synthe FX (the Luminair people) is also working on the interface for the iPad.  I can’t WAIT for that!  I would buy an iPad JUST for that purpose – to take around with me on shows.

Let’s get into R25 a bit and look at the individual components – R25 has a lot of enhancements.  In addition to not needing to render live shots (because the shaded view is so damned good that you can just screengrab), the enhancements and improvements in some of the basar functions of the suite make it faster to use.  Why is this important?  It’s important because if you’re a working designer with plots flying around the office like hotcakes, you need to be able to use your design suite with the speed of a ninja and still have the artistic stroke of Rembrandt.  R25 made it happen.

CAD Mode – had lots of enhancements here, by no means an exhaustive list, I’m just capturing some of my faves:

  • Font Styles – they’re all over the place now, I love it.  Love it, love it, love it.  Seriously, such a simple little addition and it made a huge difference in the way that you interact with the program.  The text toolbar makes such an improvement over the interface.  I wonder how many more times I can mention it, get the point?
  • Positioning tools – send to back, bring to front, and tools for alignment.  Big deals here – speeds up the interaction time within CAD.
  • Visual Truss Assembly Indicators that show you how your truss is assembled (you know, “M”s and “W”s and all) with the foresight to know what’s happening before you add a bunch of lights and realize you screwed up the truss when you were putting it together.  In addition, the right click menu options for truss assembly are much more robust.
  • Cycle – for those of you who might not know what this is, it is an invaluable CAD tool.  When you have objects stacked on top of one another in 2D space, you can click one time and “cycle” through all objects in that space without having to switch views and all of that other stuff.
  • A quick Polygon tool for making exact polygons

Text and Alignment toolbars!

Truss positioning tools in action:

DESIGN Mode – more cool enhancements and features:

  • Pan and Tilt Locking in the Focus Designer Tool – when you’re just building looks without a console in the Design mode, you can lock pan, tilt, or pan AND tilt to get those looks you want, easier.
  • Library items all appear smooth, which is extremely great
  • There are some new Camera features too that have been added – I tend to group these in with the Design and Live modes, since this is what I use most often to make client renderings.  Camera views are now lockable, which is great, along with being able to save a new shaded view as a new camera.  Hotkeys to switch between cameras is in place, which makes bouncing around during pre-viz a snap – and not like just a finger snap, like a real-time Blaine and Antoine from In Living Color “Around the World and Back” Snap.  Yeah, that’s right.

Camera lock – when you’re trying to move around a locked camera view, you get this to remind you it’s locked:

Turning a new shaded view into a new camera, lickity split:

Presentation Mode Features and Enhancements:

  • Objects in Layouts can be locked into place
  • Text Toolbar and Alignment Tools – WOOHOO!
  • Modifiable corners on rounded rectangles in Presentation Mode
  • We can now make perfect circles, 45 degree angles, and rectangles in Presentation Mode.  Simple?  Yes.  Awesome?  Yes.
  • The New Plots feature has been optimized for speed and stability
  • Worksheets are now SO MUCH EASIER to work with – column and row options, alignment options.

LED Walls and Video got a lot more awesome in R25 too – Gil Densham told me that people were calling R25 “video WYG” at ProLight+Sound in Germany this year!

  • Video can now be displayed on LED Walls and split into sub sources!  WTH!  That is awesome.
  • LED Walls now have a tab in their properties that allows modification of image/video sources and intensity
  • LED Walls are now selectable in Design Mode, which is a huge time saver
  • A generic video projector was added to the library
  • LED Walls are up to four times brighter in shaded view

Here’s a quick video of R25 in action – pre-viz and design:

Another pretty great feature of R25 is the connectivity with Synthe FX’s Luminair 2.0 app for iPhone and iPod Touch.  The wysiwyg/Luminair connectivity allows you to export fixture point-of-view images into the program.  I have been getting some questions about this and why it is useful, and frankly the best explanation I can come up with is an example.  Let’s say that your electricians are up in lifts trying to focus a large array of fixtures to specific shutter cuts, which can be a very difficult thing to call from the deck.  Instead of trying to give them pieces of paper or focus charts, wysiwyg can export selected fixture points of view to iPhones or iPod Touch handhelds with Luminair installed, allowing your electricians to have an exact image of what their cuts and focus are supposed to be.

In my opinion, this is a revolutionary idea.  wysiwyg and Luminair are essentially and potentially changing the way that we work, for both speed, accuracy, and general lack of confusion.  I think that is pretty cool.

When I design, I use wysiwyg.  In my head, lighting design is spatial, intangible, and ethereal in most cases.  I use it to design scenery, too.  If you’re using something else, at least try R25. I think your creative lighting muscles are begging for it.

iPhone Lighting Software: ZinmanCo’s PocketLD and Synthe FX’s Luminair v2

As far as iPhone software goes, “there’s an app for that,” right?  How about an app for MAKING ME A PIZZA RIGHT NOW AAAAAAAAAAAAAA!

<deep breath>

Okay, I feel better.  But seriously, there are tons of apps out there for every single thing you can imagine.  The other day I downloaded an app from the iTunes store that played these crazy soundscapes to help you fall asleep.  Awesome.  As far as lighting goes, there are tons of apps out there for that, too.  But I think it takes more than the skill of coding an app to make an iPhone app – hell, there are programs out there that generate iPhone apps out of a website feed or a podcast stream, and apps that really do nothing at all.  You have to have an understanding of the basis of what you’re doing in order to make a useful iPhone app.

Two such iPhone app developers are Ryan Hisey from Synthe FX (makers of Luminair) and Mike Zinman of Zinman Software (makers of PocketLD and many others).  Both are pushing updates this week to their popular iPhone suites.  What these two guys do forges the way.  End of story.

First, Zinman Software’s PocketLD – a program that International Cinematographer’s Guild Magazine called one of the top five apps for filmmakers and cinematographers:

PocketLD V2.0 Now Available on the iTunes App Store

LONG BEACH, CA – ZINMAN SOFTWARE, makers of the popular lighting related iPhone apps, announces the release of PocketLD v2.0. PocketLD allows lighting professionals in theatre, film and TV to calculate the FC/LUX and Beam/Field Diameters for over 2000 fixtures and lamps.

V2.0 adds the functionality for users to edit the existing library, create their own fixtures and organize these fixtures into an improved Favorites List. New fixtures included in the library include Dedolight, K5600 and Kobold.

Developer Michael Zinman says “This is our most ambitious update for PocketLD since it was released two years ago. I’m so happy with these changes and I’m confident our world-wide user base will find the new functions a great add.”

Recently, PocketLD was featured in ICG Magazine (International Cinematographers Guild) as one of the top five apps for filmmakers and cinematographers.

For more information, visit www.zinmansoftware.com

Direct download of PocketLD v2.0 on the App Store is available by following the link below.

http://itunes.apple.com/us/app/pocketld/id292911261?mt=8

About Zinman Software.

Zinman Software is a technology leader in applications for the event production industry. Among their products are a number of iPhone apps including Genielux, ML Finder, Pocket LD, Gel Calc, iSwitch DMX and TCP/IP Remote. For more information visit www.zinmansoftware.com.

Ryan Hisey and Synthe FX’s Luminair v2 – a lighting control suite that turns your iPhone into an amazing lighting tool for programmers, designers, lighting directors, and lighting technicians in all trades.  I mean, 36+ hours on batteries?!  Fuhgeddabadit.  Luminair v2 is being developed to do some amazing things in CAST Software’s wysiwyg, Release 25. More on that later, but be sure that it will rock!

Synthe FX release Luminair v2.0 for iPhone & iPod touch
Cincinnati, OH, February 25, 2010 – Synthe FX have released Luminair 2.0, a major upgrade to the wireless multi-touch DMX control app for iPhone and iPod touch. Luminair is revolutionary wireless lighting control software, which uses the Art-Net protocol to control
compatible lighting equipment and media servers via the iPhone and iPod touch’s internal Wi-Fi hardware.

Among the new features in v2.0 is “Stacks”, which is a cue-list playback system designed to make it very easy to put together shows for a wide variety of uses. Cues can be programmed directly within Luminair, and also recorded as snapshots from an external console or any other DMX control source. Standard playback life using the device’s internal battery can run up to
3.5 hours, and can be extended to over 36 hours using a 3rd-party external battery pack. Playback will run indefinitely when the device is plugged into a power source.

Another major new feature in Luminair 2.0 is the ability to assign images as visual references to cues, using the iPhone’s built-in camera, photo library, or transferred via Luminair’s internal web server. Users can browse and trigger Quick-Touch cues using a CoverFlow view, which renders the assigned images in breathtaking OpenGL 3D. Also dependent on the new image
reference support in version 2.0, is the ability to export “Fixture POV” images and data directly over Wi-Fi from Cast Software’s next release of WYSIWYG R25.

Other notable new features in 2.0 include full group support, cut/copy/paste capabilities, accelerometer support for XY controls, plus extensive additions and refinements to the existing feature-set. Company founder and lead product developer Ryan Hisey says “The ability to program and playback shows directly from an iPhone or iPod, for periods lasting greater than 36 hours on batteries is really amazing. We’re really excited to see how our customers push the boundaries of automated lighting control.”

“In this release, we also took advantage of a lot of the great features that are built-in to the iPhone and iPod touch, such as the accelerometer, camera, and photo library. The images in CoverFlow look absolutely amazing, and users can easily add their own custom images and icons via multiple convenient methods. Additionally, we are very excited to be working with
Cast Software, who is a highly respected industry leader, on such a groundbreaking new feature for lighting pros.”

Availability
Luminair 2.0 is available for download now, exclusively from Apple’s iTunes App Store. For all existing customers, version 2.0 is a free upgrade. Full product details, videos, and screenshots can be seen at http://synthe-fx.com/luminair

Keep up the excellent developing, dudes.

Lady GaGa’s Brit Awards Performance

Okay, to be honest, I’ve not really heard much of her music until I saw this video.  Lady GaGa performed her tunes “Telephone” and “Dance in the Dark” at the Brit Awards recently.  It’s the one where she gave thanks to Alexander McQueen, the fashion designer who just passed away.

Al Gurdon (Super Bowl LD) designed the lighting for that performance, and Miguel Ribiero from PRG created the wysiwyg for the performance.  Gentlemen, what a kick-ass job you did.  Congratulations on that work.

Check this out:

Jim Hutchison Joins the CAST Software Team!

I am really excited to announce that I’m now working for CAST Software!

castlogo-300px

I approached Gil and Bruce from CAST Software at LDI 2009 about CAST’s role in social media, and that I wanted to help in any way I could.  After talks and strategizing for a while since the convention, they’ve decided to bring me on as their Social Media and Area Sales Manager!

This is just awesome for me.  I have A) been using WYSIWYG for a long, long time, B) really believed in what they’re doing up there, C) wanted to be a part of the CAST team, and D) I love talking to people about WYSIWYG!  This is like epic win for me right now.  So as of a few days ago, I’m playing on the CAST team of developers, experts, and really fun people.

In addition to my full-time roll with JimOnLight.com, I’m also going to help CAST branch out into the worlds of Twitter, Facebook, and other various social media streams.  YEEHAA!  I’m still gonna write about WYSIWYG stuff here, because I am a fan and a user!

In the mean time, follow CAST Software on Twitter and Facebook!

CAST Software on Facebook:  facebook.com/CASTsoftware
CAST Software on Twitter:  http://twitter.com/CASTsoftware

WOOHOO!

So, please resume your normal JimOnLight.com reading, sorry to interrupt!

urawesome

WYSIWYG Wins A PLASA 2009 Award for Innovation!

plasa-wyg-innovation

Our beloved WYSIWYG won a PLASA Award for Innovation at Earl’s Court in London this last weekend – a well-deserved win for both Cast Lighting (and everyone who busts their rears there) and all of us WYSIWYG users.  WYSIWYG Release 24 has amazing real-time viz.  Amazing.  Render-quality amazing.  I am a fan after all, but I’ve used so many software suites over the years (from MiniCAD to Vectorworks to AutoCAD to SoftPlot to AGI32 to DiaLUX to Sketchup to you name it, I think I’ve used it), and as a lighting designer in no matter what genre of lighting, I still love my WYSIWYG.

From the PLASA Show website:

Cast Group of Companies, for the WYSIWYG R24. The plethora of LED display technology caused Cast to re-evaluate its design and visualisation software which has led to a significant redesign of the graphics engine and fixture attributes. It now allows the full visualisation of modern display technology including video and LED screens and their content.

From Entertainment Technology News:

From among 62 products entered, last night CAST Software walked away with a coveted PLASA09 Award for Innovation at Earls Court in London. The Award “recognises products which advance the industry by demonstrating a new style of thinking, improving technical practice, or taking a key step forward in terms of safety,” according to the Professional Lighting And Sound Association.

The Award was presented by Adam Afriyie MP, Shadow Minister for Innovation, Universities and Skills and was judged by a panel of eight independent judges drawn from across the industry. In making the Award, the judges explained: “the plethora of LED display technology caused CAST to re-evaluate its design and visualisation software which has led to a significant redesign of the graphics engine and fixture attributes. It now allows the full visualisation of modern display technology including video and LED screens and their content.”

Bruce Freeman, chairman of CAST Software and Gil Densham, president, accepted the Award at which time Freeman said, “WYSIWYG R24 is a total bottom-up rethink that delivers advances so revolutionary that they are ahead of the leading-edge! To assure that the system demands of the new features and visualisation in R24 are met with the same WYSIWYG speed and dependability, CAST designed and built a brand new proprietary engine. Now production professionals can model all the hottest new LED fixtures on a per diode basis and display them running in realtime. R24’s new visualisation incorporates the inverse square law feature and volumetric beams so WYSIWYG’s realtime Shaded View is really virtually real!”

Congratulations, Cast!

WYSIWYG Release 24: Virtual Lighting Designer Heaven

WYG-title

Over the last few weeks I have been testing out Cast Lighting’s new release for WYSIWYG – Release 24.  In the last year, R22 and R23 have revolutionized the way that we’ve been thinking about viz software, and R24 is the crown jewel of the improvements in R22 and R23.  The real-time rendering engine in R24 is so full of awesome that there is next to no need to sit and wait for a rendering of the look.

The interesting movement in R24 is that the processing feels like it has been allocated in the most efficient way – meaning graphic properties seem to be moved to the GPU, and numeric functions have been retained into the CPU.  I could be totally off here, but I have used the program on a very, very slow machine and on my laptop, which is configured to be a desktop replacement.  Nothing lags, nothing drags, and I have not crashed it yet.  Believe me, I have been trying!

There are some excellent new features in Release 24 that everyone should know about – from the ability to snap a pic of your instrument’s focus and send it up to the electrician in the cherry picker for focus, to live beam-in video for digital lights across a network:

  • LED: R24’s LED models use a point source to better represent a diode for LED fixtures and LED walls that look better and enhance overall efficiency and performance when dealing with all LEDs. New LED light sources and LED flare capability offer better representation in Shaded Views for better presentation.
  • Colour temperature: Information from WYG libraries includes lamp wattages that more accurately display photometrics.
  • Hot Spots: Hot spots add another aspect of realism to looks – fixture footprints are based on photometric data.
  • R24 introduces a time-of-day capability in Shaded Views. Use climatic or environmental conditions specific to the time, place and even weather, specific to an event’s geographical location anywhere around the world to test ideas and demonstrate work.
  • Geometry Smoothing in OpenGL: This new shading technique delivers better-looking sets and people, plus a performance boost.
  • Inverse Square Law: A new upgrade in R24, it calculates accurate beam drop-off in visualization calculations.  Hot spots have also been integrated into the Shaded View, giving a lot more realism to the visualizations.
  • CITP Protocol for Video, which allows consoles supporting this protocol to stream video content across a network into wysiwyg to be displayed on a video screen or a digital light fixture.

Time of Day information is one of the coolest features relevant to me right now – I have been experimenting with different structures, times of day, and locations in the new release.  Using just the included file of an outdoor venue I put myself into Stockholm, Sweden at 9:45pm:

wysiwyg-timeofday

Time of Day Options dialogue:

viewoptions_timeofday

Color Temperature is another great feature that WYSIWYG R24 has implemented.  With a large database of photometry to work from, WYSIWYG R24 has integrated lamp color temperature variations into the program.  Lamps going through amber drift has been in WYG for ages – which is a very important function when dimming in a rendering.

Low Color Temperature and intensity:

wysiwyg-r24-color-temperature

Lamps post-amber drift at full intensity:

colortemp2

Before I get too far with this, did I mention that the Library Browser is SEARCHABLE?!  (Oh thank you thank you thank you thank you!)

wysiwyg-library-broswer

A few additional features worth noting – making focus charts, new color picker in Design mode, new font interaction, and animated atmopsherics.  Starting with the atmospheric animation (smoke or haze to the layperson), WYSIWYG Release 24 gives you the ability to alter direction and speed for X, Y, and Z coordinates.  Take a look at the control dialogue for this:

viewoptions-wysiwyg-animated-smoke

In Design mode, WYSIWYG also has new features in the color picker for fixtures.  In addition to having the option to use RGB, CMY, or HSI mixing (HSI means Hue, Saturation, and Intensity), you can enter in hex values for the colors across the three variables and pick from a picker:

colorpicker

Last but not least in this review is the ability to make focus charts for your fixtures.  Imagine having an electrician in a lift in a situation where you need to get something focused, but communication is almost impossible – or you’re not on site for some reason and something needs to be focused.  You can look at the stage, architecture, or whatever else you’re lighting from the view of the fixture and get fixture information, channel and dimmer info, and the patch.  Snap a pic of that and send it up to the electrician in the basket on his or her iPhone – done.  I love it:

wysiwyg-r24-focus

I use WYSIWYG for everything I do in lighting design.  Release 24 is amazing, and performs beautifully.  Thanks for a great product, Cast.

Check out some screenshots of the live visualization feature – and get your own copy of WYSIWYG R24 here.

render-wysiwyg-r24

wysiwyg-r24-render

wysiwyg-r24-render

WYSIWYG R24 COMES OUT NEXT WEEK!!!!

wysiwyg r24

The makers of my favorite lighting design software, WYSIWYG, are releasing a new build to members this coming Tuesday, August 4, 2009.  If you’ve never tried WYSIWYG for anything, I highly recommend just giving it a go for a week.  Richard Cadena, who we all know and love, says that R24’s new features are “amazingly responsive.”  Hell, R23’s features are still amazingly responsive!

Some notes on the new features that are included in R24:

  • LED: New LED models use a point source to better represent a diode for LED fixtures and LED walls that look better and enhance overall efficiency and performance when dealing with all LEDs. New LED light sources and LED flare capability offer better representation in Shaded Views.
  • Improvements in visualization: including enhanced beams, improved beam footprints and shadows.
  • Inverse Square Law: A new upgrade in R24, it calculates accurate beam drop-off in visualization calculations.
  • Colour temperature: Information from wysiwyg Libraries includes different bulb wattages to more accurately display the photometrics of different bulbs.
  • Hot Spots: Hot spots add another aspect of realism to wysiwyg visualization. Formerly, uniform footprints are now distributed based on the photometric data of the fixture.
  • For outdoor events: R24 introduces a time-of-day capability in Shaded Views. Use climatic or environmental conditions specific to the time, place and even weather, specific to an event’s geographical location anywhere around the world to test ideas and demonstrate work.
  • Geometry Smoothing in OpenGL: This new shading technique delivers better-looking sets and people, plus a performance boost.
  • CITP Protocol for Video: The new feature allows consoles supporting this protocol to stream video content across a network into wysiwyg to be displayed on a video screen or DL fixture.
  • R24 also has more intuitive and logical Design Tools and an Improved Dongle Security System.

wysiwyg r24

Go check out WYSIWYG Release 23, and read up on R24 as well.  You won’t be disappointed.  It’s been one of the best things that’s ever happened to my pre-viz work, ever.