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LDI 2013 in Photos

A fun show happened this year in Las Vegas — lots of beams, lots of friends, and I met my goal to share hug karma with 20 new people!

I’ve heard a few people now call LDI something like “LED-I.”  After making me giggle like a dumbass like I’m known to do, it’s not like it’s far off the mark — the industry is dominated with LED wash fixtures, LED pixel mappers, LED moving head spot AND wash fixtures, and all kinds of other diode-powered light makers.  Strobes, too — LED strobes are intensely appropriate, but they deliver a different kind of stab than a Xenon strobe.  They’re not better or worse, just different!  The industry still has the gamut of discharge, incandescent, and other non-LED sources as well, but there is less push generally on these types of fixtures.

I find that such an interesting paradigm at the LDI show – lots of companies have non-LED stuff and they show it, but there is  definitely a large LED offering in our industry (as is the case in most industries of light right now).  Sometimes I wonder if there are less non-LED beams bouncing around because that’s what the industry wants or if it’s because of the cost savings of NOT having those non-LED sources en masse.  Power is expensive stuff at these shows, and so is drayage on all of the heavy gack that goes along with larger draw 208 gear and dimming.  Most LEDs anymore allow you greater flexibility with 208V power too, making the power linking possibilities even better.  I only had one 48-way PD for the CHAUVET Professional booth, and that powered everything I had designed into the rig, video panels and all.

I programmed the booth I designed on the Avolites Sapphire Touch, which has become my new favorite desk.  I finally found an interface that was designed the way that my brain wants to program.  This has been a joyous time in my programmer life!  It’s nothing like the old Avolites way, they’ve made the flow so unbelievably amazing that it is literally a joy to program.  I just had it again on the Concert Lighting Master Classes this last week, but I’ll be writing a separate post about that this week.

Check out some photos from the show, and I was glad to see you if I saw you at this year’s show!  If I didn’t see you, I’m sorry — we’ll see each other next go round or soon, you know how this business goes!  I was bummed that I didn’t get to see the Fox family.  This show kept me busy, I barely made it out of the booth except for about an hour to walk the floor.

Click on any photo below for the larger images in an *awesome* light box!

 

INDUSTRY ACCIDENT – Ultra Music Festival in Miami, Video Wall Falls on Workers

ultra-music-festival-accident

VIDEO:

Breaking news from Miami — a video wall fell over on stage Thursday night and trapped stagehands working on the rig in Miami at this year’s Ultra Music Festival.  No deaths were reported, but some workers suffered “life-threatening injuries” and others sustained broken legs, says the Miami Herald.  From the article at the Herald:

Two of the men suffered what fire rescue officials said were life-threatening injuries, including one with two possibly broken legs.

Two other workers were also struck by the falling equipment; one was in stable condition, and the other was treated at the scene. The seriously injured workers were taken to Jackson Memorial Hospital.

The 8 p.m. accident, which occurred on the eve of what is billed as “the largest electronic dance event in the world,” will force a section of the large concert area at Bayfront Park to be closed off to the thousands of concert-goers who are expected.

Read more here: http://www.miamiherald.com/2013/03/14/3286599/part-of-lighting-collapses-at.html#storylink=cpy

The AP was also reporting on this story:

Carroll said the LED screens were about 30 feet above the stage, and that one section – several squares connected together – fell.

“For whatever reason they came crashing down on workers on the stage,” he said,

He said the workers were struck by a section that was about 7 feet in height and that extended three-quarters the length of the stage.

I’ll be reporting this back as I get information.  Let’s hope that the lives of these guys setting up a video wall are spared and their injuries are just injuries.

Here’s an image of the rig I found from Facebook user Habs Akram:

ultra-music-festival-rig

As far as the show goes, it’s supposed to be a big one, with weekend tickets at a three hundred dollar starting point.  I don’t really care about who’s playing, but if you want to know, click this image below:

full-lineup-34

El Molino Burlesque’s Beautiful Video Facade — Barcelona, Spain

I was in Barcelona back in November of 2012; I posted some photos of that very busy trip, but I didn’t really have time to go out and do some sightseeing because of the show schedule.

There is one thing I did get though, I filmed it on the last night I was there.  We were staying at a hotel called Hotel Barcelona Universal, and from my room, I had a great view across the Paral Lel, the street out in front.  Across the street was this beautiful building facade, all made of video, that had a big windmill attached to the front of it.  The name?  El Molino, or “the Mill.”   Check it out:

el-molino-facade

Not really much to look at from the outside, right?  I mean, it’s fun and all, and obviously there is something happening of fun inside of the building.  However, El Molino has an enormous video wall outside that is pretty beautiful, and there is some very fun content that is displayed on the video wall.  It’s huge in comparison of the other parts of the facade!

el-molino-1

This building underwent a major renovation after a 1997 closing of the theatre, which from what I found was the first time it was ever actually closed.  The venue has a pretty interesting history; from the El Molino website, translated from Catalan:

The story of the Mill began in 1898, when the owner of the task The Aviary, a modest cabin located in Vila Vila Rosal corner, sold his business to 100 pesetas. The new owner will change its name to The Aviary Catalan and mount a small empostissat. After three years with a musical program stable, the local had already found its place in the world of entertainment Parallel.

After a brief flirtation with the movies under the name Grand Salon Siglo XX, in 1908 there was another change of owner and renamed Petit Moulin Rouge, in imitation of the famous Moulin Rouge in the Montmartre district of Paris.The new business is designed to bring the nightly entertainment cabarets of Paris “in Spanish”. It is the time of the Music Hall, which appropriates the same time, he sees as his fame avenue that the highest number of shows in Europe grows.

el-molino-under-construction

So the entire point of this post was to show the video I recorded of the video content of the video wall outside of El Molino.  Check it out, this is some fun architainment!