JESUS CHRIST SUPERSTAR Opens Tonight at Oklahoma City University!


I have been chasing this script down to design for about fifteen years.  It’s my favorite non-traditional opera.  Now I can no longer say I’ve never designed it.  I had a hell of a lot of fun designing it – and the performers are tearing my face off nightly.  During final dress, the end of act one sequence went so well, I let out an audible “YEAH!” when the parts of that last cue of the act fired, totally involuntary.  So, all of that being said, if you’re near OKC and want to see a damned great show, come see Jesus Christ Superstar tonight!  The show runs through the weekend.

Wendy Mutz was the production photographer for our preview last night.  I have never had my work look so beautiful as when Wendy shoots it.  Ever.  Thank you for always capturing such amazing moments in time.  If you’re a lighting designer, you need Wendy Mutz.  Have Wendy, will travel.  Wendy’s on Facebook, too!

All photos copyright Wendy Mutz, 2011:

Peter Pan at Circa 21 Dinner Playhouse in Rock Island, IL

I just lit Peter Pan at the reknowned Circa 21 Dinner Theatre in Rock Island, IL with the owner/producer Denny Hitchcock, director/choreographer Jim Hesselman, costumer designer Greg Hiatt, scenic designer/paint charge Susie Holgersson, and sound designer Ray Malone.  Joel Gelpe is the music director, and Matt Carney worked his hind end off tenfold as my chief electrician.  Starla Williams corralled us all for the project (she’s head of operations) and bought lunch and dinner way too many times.

This was an experience I will not soon forget – all good moments, a lot of work (a lot of work), and a collective amount of about 22 hours sleep in over a week.  The theatre is unbelievably amazing and proud in all of its restored beauty – and along with a team of professionals that wanted to be there, I experienced an epiphany of art and collaboration that just happened one night during a rehearsal.  Everything came together in one of those magic moments we all hope for in our art, and it was exactly what I needed before my year-long journey in Sweden.  I wouldn’t trade out one older Altman 360Q, 65Q fresnel, R40 striplight, or Mole-Richardson 2.4K ERF for anything in this production.

Circa 21’s food is good, the wait staff performs before the show, and the theatre is mind-blowingly beautiful.  If you’re within travel distance of Rock Island, IL, go support these folks.  We’ve been getting great press – check out a review of the show from Mike Schulz at the River Cities’ Reader.

The theatre is amazing – have I mentioned that yet?  My first order of business when I arrived onsite was to figure out how to dedicate several of my limited supply of dimmers to lighting the inside of the venue.  Check out a few pics and a video:

circa 21

circa 21

La Rondine

La Rondine

I’m about to open a production of Puccini’s La Rondine as a guest artist for Oklahoma City University’s Department of Opera and Musical Theatre, directed by the fabulous David Herendeen.  After two weeks of cueing, rehearsals, and awesomeness, La Rondine is ready!

I’ll post some pictures as soon as the show “officially” opens.  It’s in a preview phase right now.  The official opening per the School of Music is November 14-16.

What are you working on right now?  Post in the comments!