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Multiverse, by Leo Villareal

villareal_led

American lighting artist Leo Villareal has created a beautiful installation of LEDs and programming called Multiverse, located in the tunnel within the National Gallery of Art – you know, the big tunnel, about 200 feet long, escalators…  very similar to the one lit by my friend Marcus Wuebker in the Detroit Airport.  The lighting in the Detroit (McNamara Tunnel) is pretty amazing.

From the video, so is Leo Villareal’s tunnel installation.  There are somewhere in the neighborhood of 41,000 LEDs in this installation – a beautiful work, and some beautiful programming.  Watch the video below – I hope that it appears as naturally random and fractal-esque to you as it does to me.


Villareal “Multiverse” National Gallery of Art, Washington DC from Walter Patrick Smith on Vimeo.

I also found a video originally at MeFeedia of Leo Villareal talking about sequencing and his thoughts on it.  It’s an interesting video, because now I want to hang out with Leo and buy him a Scotch.  Single malt, of course.

Take a moment to check out Leo Villareal’s website, too.

Thanks, PSFK!

Weekly WYSIWYG 8.5: McNamara Tunnel – WYSIWYG Renderings!

A special installment of the Weekly WYSIWYG posts – I posted an article yesterday about Marcus Wuebker’s lighting design and programming for the McNamara Tunnel in Detroit’s Airport.  I just got an email from Gil Densham from Cast Lighting – that contained the renderings from the project, which was done in WYSIWYG!  Thanks Gil!  Check these out:

The McNamara Tunnel, Detroit Airport

Have you ever been through “The Tunnel” at the Detroit Metro Airport?  The McNamara Terminal at the Detroit Metro Airport has a 27 minute lighting masterpiece composed to a soundtrack – it provides an excellent and awesome spectacle of LED fury for those passing through.

Marcus Wuebker, an old friend and fellow lighting designer from Mills-James, Inc in Columbus, OH was the LD.  I asked him to write a few words about the tunnel, which he so graciously did (thanks, Marcus!), and I’ve posted the article below.  I hope you enjoy, as Marcus is a talented designer.

The McNamara Terminal at the Detroit Metro Airport has a passenger tunnel that connects two concourses beneath the tarmac. Curved glass panels with abstract art sand blasted into the back create a mural on both sides that runs the entire length of the tunnel. Translucent material completes the curve of the glass and visually connects the two sides.

The Smith Group is the Architect of record for that part of the airport and is responsible for the initial design. They created the space and specified the type and number of LED fixtures to artfully light it for a number of reasons including low maintenance and low heat output. Northwest Airlines then hired Mills/James Productions to evaluate the existing design and create a show for their passengers.

The Smith Group’s concept was to light the back wall from above with 6 rows of Color Kinetics iCove 12” fixtures. This produced an interesting yet subtle look as the light reflected off the wall through the glass. After spending some time with the mock up at the Fox Fire Glass, I decided the best way to light the glass was to focus the iCoves directly at the glass and break each glass panel into 3 separately controllable areas vertically. I programmed a thunderstorm rolling in complete with some lightning strikes and when the glass artist, Laurel Fyfe, saw it her eyes lit up. It took her about a half a second to realize how this approach would work in the tunnel with 135 glass panels on each side. She was so excited the next 10 panels she carved had shapes that could easily be describes as lighting bolts, rain drops, and clouds.

Back in Columbus, the composer, Victor Alexeeff, and I started discussing ideas for the show. I suggested a rainstorm and a sunrise/sunset themed piece. Victor had an idea for a space like piece that moved into the chaotic world of the infinitely small. Victor would write a piece, give it to me and I would program to it in WYSIWYG. After showing Victor what I could do with what he gave me, he would get excited and go back to his studio and create stuff with music and sound effects just so I could put a cool lighting effect to it like a comet that shot all the way through the tunnel. My favorite part of the show is when two small “fireballs” come at you from one and of the tunnel, and then suddenly the entire tunnel is enveloped in fire from the other end. All of these ideas came down to two sections that totaled 27 minutes, Ethereal and Nature.

The tunnel was programmed and runs today off of two Hog II PC’s. There are 8100 12” iCove Fixtures lighting the glass panels and 222 12” Color Blast lighting the ceiling and 12 48” Color Blaze in each rotunda all from Color Kinetics. Pathport Ethernet nodes distribute DMX throughout the tunnel.

I would like to thank Northwest Airlines and Mills/James Productions for the opportunity, as well as the other Artists that make this a one of a kind project.

Written by Marcus Wuebker