Ok, I want to do this. Â Wait, it’s 70 outside and the ocean breeze is outstanding. Â Suck on THAT, Midwest!
WOO Productions made this. Â WOO Productions has some pretty awesome projects under their belt, you should go over there and check out their catalogue of work. Â BUT NOT RIGHT THIS SECOND, WAIT DAMMIT!
From the video:
Two Mountainbikers, fully equipped with a lot of LED’s, enlighten the trails as they ride in the dark.
There are so many action sports videos on the internet nowadays that it’s hard to mix things up. Pretty much everything has already been done by someone else. This concept has left us wanting to create something innovative for quite a while now. We just didn’t have the “big idea” until we talked to Phillippe. After a day of testing with the aerial drone in 2012 the actual plan was to produce a “normal” Enduro or Trailbiking video with WOOProductions this year. It all turned out a little differently, though. The filming for the Enduro video never happened, but we ended up getting this idea for a completely different project. Phillippe, the founder of WOOProductions, came up with the idea of using LED lights for a video- a lot of them. At a meeting he explained his concept or at least he tried to, as it was quite a complex idea. It was hard for us to imagine the outcome but we almost had to give it a try due to how intrigued he was with the idea. The goal was never to document a day in the life kind of thing or produce a video with logical content. We would definitely not go for a normal ride at night with hundreds of little lights spread all over our bikes and bodies while still not seeing anything. We just wanted to create something different that looked cool for your and our entertainment- simple as that.
How I should have started this article was something like “Do you want to see some outstanding light art in the snow with LEDs glowing on bicycles?”
Nah. Â Too tame.
I’m in love with Maiko Takeda.
Let me back up: Â This is the work of Maiko Takeda, and she blows my mind. Â Maiko takes fashion, incorporates the idea of pattern projections based on fabric, and turns them into unbelievable works of human art. Â Maybe this is why I’m in love with Maiko Takeda.
Check this out:
From Maiko’s portfolio page, about Maiko:
Logic + geometry + space form the common denominator in all Maiko Takeda pieces. Itâ€™s a world in which the simple will seem complicated and order turns to chaos. But do not be afraid to indulge, as at the end you will always find that the common denominator stands (right there at the bottom where it belongs).
Maiko Takeda grew up in a post boom Tokyo where she quickly was faced with the challenge of wanting to create products of individual and timeless quality in a country slowly coming to a grinding halt. This meant that she more and more looked to areas outside of fashion and pop culture for impulses, exploring the city by foot, finding inspiration in the smallest and most random of things.
Within the pieces, there is the juxtaposition of various elements. Environmental influences such as shadow, wind and gravity, create an experience of wonder and bewilderment for the adorned. The form of her work itself can never be its sole feature as the extra element is always seeking to transcend the expectations of the wearer as part of the work.
After having moved to London she studied Jewellery Design BA(Hons) at Central Saint Martins College of Art and Design and is currently doing a Masters in Millinery at the Royal College of Art. Her work experience includes Issey Miyake, Stephen Jones, Philip Treacy and Erickson Beamon.
Enough talking. Â MORE MAIKO!
I’m a few weeks behind on my JOL Sunday Flickr posting… Â I’ve been pretty much spending every waking moment looking for a job, so life has been a bit challenging at best lately.
It is very therapeutic to search for JOL Sunday Flickr images to post, I have to say! Â Looking at other artists’ eye frames of the world is one of my favorite things. Â Remember those “Art in the Dark” classes where you watched nothing but slides of works of art for months at a time? Â Yeah, I loved those classes.
Check out JOL Sunday Flickr #18!
Make sure to give these artists a second of your time!
World-renowned light artist Bruce Munro is back on the scene with an installation at Cheekwood Botanical Garden & Museum, Nashville, Tennessee – and once again, he’s taken some color, a smidge of light, and improved upon the night time viewing of life in the park.Â When asked about his experience in the park, Bruce Munro had this to say:
‘during my first visit to cheekwood earlier in the year, I had a visceral reaction to the scale and positioning of the estateâ€™s buildings. they are at one with the landscape, breeding a sense of understated balance and harmony that truly inspired me and undoubtedly permeates the visitor experience,’ said munro. ‘this is the most perfect place to exhibit because it provides a variety of opportunities to respond to â€“ each space varies in both scale and topographical character. in addition, cheekwoodâ€™s world class exhibition galleries are a veritable jewel in its crown. I feel lucky and privileged to install my work at this prestigious and beautiful estate.’
What do you think?Â Leave a comment on the post, tell the world what you think about this installation!
The Cheekwood site has a lot of great information about the installation, including the what-and-wheres of the pieces.Â From the Cheekwood website:
Mansion Lawn and surrounding gardens/Field of Light
At the center of the exhibition’s many installations will be the Field of Light, which submerges the viewer within a landscape of 20,000 lighted glass spheres, each rising from the ground on a slender stem.This is the largest Field of Light expanse Munro has ever created in a rolling landscape, and is designed to utilise the existing pathways in the garden to allow people to wander through it and view it from various different perspectives.
Materials: Frosted glass spheres, acrylic rods mounted on stakes, bare optic fiber, halogen light sources with hand-painted color wheels
Japanese Bamboo Garden/Fireflies
Hundreds of cool white Fireflies will be installed throughout the bamboo leading into Cheekwoodâ€™s Japanese garden, creating a magical space of illuminated springs amongst the bamboo.
Materials: Copper tube, brass stakes, acrylic polymer fiber optic cable
Japanese Garden Pavilion/Candlelight
Visitors will have just exited the bamboo garden and the Fireflies when they arrive at the pavilion in the Japanese Garden. Candlelight will introduce something architectural in form and warm in color temperature. Hundreds of flickering LED candle luminaires will make the pavilion become an illuminated stage.
Materials: Treated timber, stainless steel fixings, LED candle luminaires
Japanese Garden Dry Lake/Blue Moon
The dry lake within the Japanese garden is an intimate space, set in a valley of rounded hills. The Blue Moon is 5â€™ in diameter and will appear as a giant hovering moon of flickering icy blues.
Materials: Clear acrylic spheres and acrylic polymer fiber, stainless steel
Robertson Ellis Color Garden/Water-Towers
Water-Towers is comprised of 40 structures built out of one-litre recyclable plastic bottles filled with water, laser-cut wood layers, and fiber optics connected to an LED projector and sound system. This installation beckons visitors to immerse themselves in the spaces between the towers to explore the spectacle of light and sounds.
Materials: LEDs, fiber optics, new one-litre PET bottles, audio system
Mustard Meadow/Light Reservation
Light Reservation is an assembly of tipi-like structures made from spent fluorescent tubes on an expanse of Cheekwoodâ€™s lawn by the ponds.
Materials: Redundant 60w fluorescent tubes, 12v electric fence modules, polymer filters, polycarbonate tubes
Reflection Pool/Faginâ€™s Urchins
Faginâ€™s Urchins are a site-specific installation created for the formal reflection pool at Cheekwood. Sap green spheres are positioned centrally in a line close to the waterâ€™s surface across the reflection pool. By night the surface of each sphere becomes an illuminated Lilliputian world of the night.
Materials: Polycarbonate, acrylic polymer fiber optics, stainless steel
Cheekwoodâ€™s Mansion Loggia/ Light Shower
The double height of the iconic Loggia in the Cheekwood mansion offers a wonderful opportunity for Munro to create a site specific installation of the Light Shower, an installation of 1,650 teardrop-shaped diffusers suspended from the ceiling by fiber-optic strands.
Materials: Acrylic diffuser drops, powder-coated mild steel, acrylic polymer fiber
Cheekwoodâ€™s Mansion Rotunda Staircase/Bell Drop Chandelier
The stunning rotunda staircase in the Cheekwood mansion will be transformed with the beautiful Bell Drop Chandelier. A cascade of fiber optic cables terminates in a miniature conical brass bell shade approximately seven feet from the ground floor level.
Materials: Brass, powder-coated mild steel, acrylic polymer fiber optic
Cheekwoodâ€™s Museum of Art Galleries/Exhibition
A gallery in the Museum of Art will be dedicated to small-scale works and videos from Bruce Munro.
From Tineke and Nathan’s catalogue page for Light Forest (ps, it’s a PDF link):
On the ceiling or on the wall,Light Forest grows where other lights will not go.As a climbing plant the system spreads itself throughthe space, to give light with its calyxes.Using obstacles, height differences, beams,Â flat walls and ceilings, the lighting system is installed.Small and geometrical or large and chaotic.Custom made for each space.
So Ontwerpduo comes in and does each of these installations to fit the space that they’re going to live within — I call that some excellent design!Â Check out this beauty — or at least some examples of it, as each one is customized:
Something I find kind of awesome — the designers posted their prices online too for this custom install:
I also adore the text they add in the catalogue that explains the install process:
1.Â Ontwerpduo makes a composition of Light Forest directly in the designated space. Together with the customer we discuss possibilities and wishes, and we will make a layout of Light Forest in the space with tape. In this way it will be clear how the lamp will be positioned in the space. After approval this composition will be measured. In the workshop of Ontwerpduo the lamp is made. Then we visit again to place Light Forest permanently onthe wall and/or ceiling.
2. Ontwerpduo receives the customerâ€™s dimensions of the space, possibl y supplemented by photographs.Â Based on these measurements and the wishes of the customer we make a visualization of Light Forest. This composition is discussed and may be adjusted.Â After approval, the lamp is made in the workshop of Ontwerpduo. Then we come with Light Forest to the space, and we will place the lamp to the wall and/ or ceiling.
3. Starts with the same procedure as No 2. but we donâ€™t place the final lamp ourselves. Light Forest will be shipped with instructions, and the client assembles Light Forest himself in the space.
Lovely, Ontwerpduo.Â I am a huge fan of this piece!
On April 20, Aron Altmark Painted the Town of Birmingham, Alabama Red. Â It was good.
From the videos I got from Aron, it was really good. Â Since the first post about Aron’s IndieGogo funding campaign, I’ve been excited to post about what he did, and that it benefitted the American Red Cross, which is also excellent. Â Light for Enjoyment AND helping people in the process is what I am all about lately. Â Sometimes you just have to use photons for happiness.
I emailed Aron and asked him about this adventure, links and bolding are mine:
All of this was for Paint the Town Red, an annual digital arts festival that turns downtown Birmingham into a giant media canvas for digital artists. We had a projection-mapped dome with a silent rave in it, many small installations featuring local light artists, a projection-mapped Mini Cooper, fire dancers, trapeze artists, and of course my two large installations. I was the featured artist this year and flew in from LA to do the show.
My main work was a Kinect hack utilizing a video camera, depth sensor, and custom applications — this setup allowed any of the festival attendees to walk into a “stage” area and interact with their digital proxy, projected thirty feet high via a 10K HD projector. It was a bit of an interactive painting game (with a healthy does of DanceDanceRevolution), with realtime input of up to six users. In addition to this, about every half hour my good friend and amazingly talented dancer Erica Thornton put on a performance for the crowd. For the performances, I ran a different custom application that tracked Erica’s left and right hands and created particle systems based on speed and motion, with audio-reactive elements built in as well. Both applications were controlled by a custom UI on an iPad.
Of course, we also had a giant laser graffiti setup going — this one five stories high and about 100 feet wide using a 15K projector + 50mW laser pointer. The citizens of Birmingham came out and made their mark on the city, with messages ranging from the ever-present “Roll Tide” to “I Believe in Birmingham”. The entire event was put on to raise money for the Birmingham-Jefferson Chapter of the American Red Cross.
Aron, you’re awesome. Â Let’s check out some videos!
The Multi-user Kinect station:
The Single-user Kinect Station, with a dancer:
The Single-user Kinect station, again:
Thanks to Aron for letting me know about the work!
I have the most amazing news to share, and I’ve had to hold it in for the last month…Â Fortunately this isn’t an April Fools’ joke!
After four years with my extended CAST Group family, I’m very excited to tell the world that I am leaving CAST Group as the Product Manager for the industry lighting design suite wysiwyg and the Events and Meetings industry design product Vivien Event Designer to open a lighting industries think tank, design studio, and industry relations consulting firm!Â World, please welcome Lumen Buddha Studios to the world of light!Â The timing is right, the industry is right, and all of my cards have come together to make this happen.Â We’ll be moving back to Dallas, Texas soon to begin this adventure!
My goal with Lumen Buddha Studios is three-fold, and I am making three definite divisions in the company:
- INDUSTRY THINK TANK:
Lumen Buddha Studios will provide a resource for lighting industries companies that allows them access to the wealth of knowledge and understanding of the Lighting Industries, including consulting services for a number of industry subsets — Social Media, Research and Development, historical Industry trends, and Industry Intelligence to name a few.
- LIGHTING INDUSTRIES MEDIA OUTREACH:
Lumen Buddha Studios will provide the most excellent services for Lighting Industries businesses to reach out into the Social Media world — many companies struggle to get real results from their Social Media outreach, and Lumen Buddha StudiosÂ strives to provide that edge that the Lighting Industries need to survive!
- LIGHTING DESIGN, CONTENT, AND PRODUCTION STUDIO:
Lumen Buddha Studios brings two designers with three decades of experience creating stunning designs for clients worldwide — myself, Jim Hutchison, Lighting Designer, consultant, and creator of JimOnLight.com, and Tupac Martir, Visual Designer, Light Magician, and creator of Satore Studio in London.Â Tupac is bringing his entire studio team’s expertise to projects with Lumen Buddha Studios here in the United States.Â I’m so very excited to have another unbelievably creative organization on board!Â Lumen Buddha Studios will be offering Lighting Design and Production services to the Events Industry, Concert Production, Corporate Entertainment, Theatre, Dance, Opera, and most experimentally, grand scale Light Art!
This is the first in a few very large events happening in my career right now, and every single bit of it is due to this unbelievably excellent industry we all call home.Â There’s some additional big news coming, but you have to wait for that one, just like me!Â In the mean time, in addition to @JimOnLight on Twitter, please follow @LumenBuddha for news and information about the opening of this exciting event!Â Make sure to also follow @TMartir (Tupac Martir) and @SatoreStudio to keep up with the exciting projects of our UK studio partner!
A message of thanks:
Thank you for all of the support and readership that you have all given me over the last six years.Â JimOnLight.com is still going full-speed, and is showing no signs of stopping!Â I’ll quit when you quit, and you have all been unbelievable in your support for this site everyday.Â Thank you so very much for coming here to read about light every single wonderful day.Â David and I wish it were in our power to personally thank each and every pair of eyes that comes here to learn about our favorite thing every single day, but obviously that would be impossible.
Thank you, Light Lovers of Planet Earth.
When you scroll through these images, take into account two things — Kevin Cooley is awesome, and let’s hope he still has that really warm coat he must have needed for this project so he can get his awesome butt out there and do another series!
Kevin Cooley is a guy inspired by people like James Turrell, which might explain how grandiose and larger than life these photographs seem.Â I love this series!Â It’s called Lights’ Edge, and I have to say I love it, once again.
Another statement from an artist I’m seeing now as a cross between VIcki DaSilva and Dan Flavin — Bruce Nauman’s work, One Hundred Live and Die, is absolutely chilling to me:
From the post at The Fox is Black:
One Hundred Live and Die is what many consider to be Naumanâ€™s masterpiece. Sad and hopeful, One Hundred flickers through each possible flippant, mundane, and tragic way to live or die in a blaze of neon exuberance. Each phrase (â€œLAUNCH AND LIVE,â€ â€œFALL AND DIE,â€ â€œSPIT AND LIVE,â€ etc.) light the room with its orange, blue, white, or whatever color it may be. It paints the room and provides a surprisingly profound commentary on life, telling a story with each phrase, reiterating just how fucked up life can be (which may elicit tears, laughter, or blank stares). In the end, One Hundred resonates with all one hundred phrases lit, blindingly beautiful and a little overwhelming.