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Pink Floyd’s Lighting Designer, Arthur Max, Has A Bad Day on Headset – in 1973

arthur-max-has-a-bad-day

It’s the day before Independence Day off here in the USA.

There is nothing you’re doing right now that can’t wait for 11 minutes while you watch Arthur Max at the office while working a 1973 Pink Floyd show in Detroit — the venue ruled that Pink Floyd had to use the Union spot ops from the venue instead of the Pink Floyd crew, and with some animation, this is one of the best things you’ll see today!  Thanks to Cliff Port, a fan filmmaker that really got a good belly laugh out of me today!

You know who Arthur Max is, right?  He’s a production designer and artist who does a ton of movies now, but lit Floyd back in the day along with working for Bill Graham at the Filmore East.  From IMDB:

A native New Yorker who worked as a Stage Lighting Designer in the late 1960s and early 1970s in the music industry, and then, after studying architecture in England and Italy, went on to do several architectural design projects in London. He entered British film as an assistant to several British Production Designers in the mid-1980s. First for Stuart Craig on Greystoke: The Legend of Tarzan, Lord of the Apes and Cal (both 1984) and then for Ashetton Gorton on Revolution (1985). His Production Design career began withTV commercials during the years 1985-1995 for many different Directors, including Ridley Scott and David Fincher, with whom he would go on to collaborate on feature films.

This is so awesome, I think I may just watch it again.

HUGE thanks to Simone Kay’s YouTube channel!

Hey Detroit – You Should Listen When Broken City Lab Talks to You

In September to November 2009, people in Detroit, MI and Winsor, Ontario will be seeing messages like this projected in the night sky:

broken-city-lab

Broken City Lab – a “creative research group” – will be shining these kinds of messages on the CIBC building for all of Detroit to see.  Broken City Lab is from Windosr, a city that is also bearing the brunt of the really excellent business dealings of the “big three” auto giants.  BCL uses art as a means to “tactically disrupt and engage the city, its communities, and its infrastructures to reimagine the potential for action in the collapsing post-industrial city.”

Broken City Lab calls this project “Cross Border Communication:”

Cross-Border Communication an interventionist performance series based on the desperate need to communicate with Detroit, Michigan from Windsor, Ontario.

Using a 6000 lumens projector, Broken City Lab will transmit a message to Detroit once a week for 45 minutes from September to November 2009. Each week will feature a different message that we write and project onto the CIBC building, located at Ouellette Avenue & Riverside Drive in Windsor and clearly visible from downtown Detroit.

I think this is a pretty great idea beyond its artistic implications. Isn’t it a shame though that people have to communicate with the “forces that be” in this way?

Thanks, PSFK!