Simpsons Locales, Painted in Night, with A Dash of Creepy

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You have to give it up to Tim Doyle.  Tim paints all kinds of awesome nerdy stuff that people like us all enjoy.  Something he painted back in 2012 is still getting lots of play, and it holds special real estate in my heart because A) well, it’s light stuff and B) because Simpsons.

Check these out, they’re mind blowing, especially if you grew up watching that 5pm Simpsons rerun daily, religiously.  Mr. Doyle also has an amazing gallery…  and if you’re looking for more of these Simpons night-time nightmare fuel tablets, look for UnReal Estate, Parts 1-3.

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Nine Inch Nails’ New Tour Design Pretty Much Nine Inch Kicks Ass

Do you know who Roy Bennett is?  Are you in the lighting industry?  Let me help you out here — go check out Roy Bennett, then come back here.  I’ll wait.

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I wouldn’t say that I’m a NIN fan; but then again, I wouldn’t say that if one of their tunes came on the radio I would turn it off.  Nine Inch Nails has their place for me in the world, but then again I’m one of those trippy dippy jamband people who love the groove.  Call it what you will.  One thing is certain — Roy Bennett’s kick ass production and lighting design work for NIN is definitely just that:  kick ass.

Check out some great video of the pre-production, with those excellent mobile video panels — video put together by The Moment Factory:

NIN Festival Tour – Teaser from Moment Factory on Vimeo.

Then watch this — an AWE-SOME pre-production video of the rehearsals and interviews with tour staff:

Then, Nine Inch Nails fans, a video of the entire performance at the Lowlands Festival in the Netherlands. Here’s the setlist, followed by the video!

00:00:00 — Copy of A
00:06:09 — Came Back Haunted
00:11:28 — 1,000,000
00:15:32 — March of the Pigs
00:19:45 — Piggy
00:24:24 — Terrible Lie
00:29:27 — Burn
00:34:16 — Closer
00:38:50 — Gave Up
00:43:55 — Help Me I Am in Hell
00:45:19 — The Warning
00:49:01 — What If We Could?
00:52:53 — The Way Out Is Through
00:56:33 — Wish
01:00:21 — Only
01:04:41 — The Hand That Feeds
01:08:17 — Head Like a Hole
01:13:58 — Hurt

Sweet.  Roy, you’re AWESOME.

Thanks to Pitchfork for the first video and The Auto Didactic in the Attic for the green smoke image!

Dieterich Spahn Talks about Being A Stained Glass Master

The altar, Munderloh Windows

The altar, Munderloh Windows

Check this out — it’s an excellent video I found in researching my post on Valparaiso University’s Chapel of the Resurrection last week.  Meet Dieterich Spahn, the liturgical stained glass artist that helped Peter Dohmen design and create Valparaiso’s Chapel of the Resurrection’s huge stained glass masterpiece, the Munderloh Windows.  Ladies and gentlemen, boys and girls — meet Dieterich Spahn from Minnesota!

Dieterich Spahn Patterns Connecting from Caroling Wholeo on Vimeo.

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PHISH! New Video Clips of the Hampton Coliseum Reunion Shows from March 2009

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I started digging my way through the 2 terabytes or so of uncut, backlogged video I have to process.  Behind every folder is something I have forgotten that I filmed, and I am uncovering some really fun stuff!

Here’s a handful of clips from when Greggity and I flew the famous mockingbird from Columbus, OH to Hampton, VA for the Phish reunion shows on March 6-8, 2009.  The clips I had sitting in a folder were, in order:

Army of One
Wilson
Down with Disease JAM
Contact
Tweezer Reprise

Enjoy! Also check out Greg and I chatting with Chris Kuroda, Phish’s lighting designer, during the Hampton 2009 run, all four parts:

Part 1:
http://www.jimonlight.com/2009/03/23/interview-with-chris-kuroda-lighting-designer-for-phish-part-one/

Part 2:
http://www.jimonlight.com/2009/03/24/interview-with-chris-kuroda-lighting-designer-for-phish-part-two/

Part 3:
http://www.jimonlight.com/2009/03/25/interview-with-chris-kuroda-lighting-designer-for-phish-part-three/

Part 4:
http://www.jimonlight.com/2009/03/26/interview-with-chris-kuroda-lighting-designer-for-phish-part-4/

Ready?  Get your coffee, have a seat, and rock out!

PHISH! 2009 Hampton Coliseum Reunion Shows from JimOnLight.com! from Jim Hutchison on Vimeo.

P&O Cruises Ship, The Pacific Pearl, is Twice as Amazing with Projections!

Vivid Sydney 2013 just wrapped up in Sydney, Australia – I mean like on the tenth of June wrapped up.  Vivid Sydney 2013 is a celebration of light around the Sydney Operahouse, and really all around the city!

This year, P&O Cruises took their beauty of a sea vessel, the Pacific Pearl, out for a spin with one small exception — projections all over the boat.  You have GOT to see this!

First, some video:

P&O Cruises – Vivid Sydney 2013 from Romina on Vimeo.

and:

Then, from Alice at MyModernMet, who was apparently in attendance for this amazing visual occasion and makes me very jealous, posted some awesome shots from photog Craig Jewell.  Peep these photos:

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Here’s the Pacific Pearl without any lumen interference:

http://www.flickr.com/photos/craigjewell/with/8853297151/

Flickr user FlashFlyGuy — http://www.flickr.com/photos/9028007@N05/5421600846/in/photostream/

Awesome.  Stay tuned for more from Vivid Sydney 2013! 

 

Bruce Munro Makes Nature Better with Light, Again

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World-renowned light artist Bruce Munro is back on the scene with an installation at Cheekwood Botanical Garden & Museum, Nashville, Tennessee – and once again, he’s taken some color, a smidge of light, and improved upon the night time viewing of life in the park.  When asked about his experience in the park, Bruce Munro had this to say:

‘during my first visit to cheekwood earlier in the year, I had a visceral reaction to the scale and positioning of the estate’s buildings. they are at one with the landscape, breeding a sense of understated balance and harmony that truly inspired me and undoubtedly permeates the visitor experience,’ said munro. ‘this is the most perfect place to exhibit because it provides a variety of opportunities to respond to – each space varies in both scale and topographical character. in addition, cheekwood’s world class exhibition galleries are a veritable jewel in its crown. I feel lucky and privileged to install my work at this prestigious and beautiful estate.’

What do you think?  Leave a comment on the post, tell the world what you think about this installation!

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The Cheekwood site has a lot of great information about the installation, including the what-and-wheres of the pieces.  From the Cheekwood website:

Mansion Lawn and surrounding gardens/Field of Light
At the center of the exhibition’s many installations will be the Field of Light, which submerges the viewer within a landscape of 20,000 lighted glass spheres, each rising from the ground on a slender stem.This is the largest Field of Light expanse Munro has ever created in a rolling landscape, and is designed to utilise the existing pathways in the garden to allow people to wander through it and view it from various different perspectives.

Materials: Frosted glass spheres, acrylic rods mounted on stakes, bare optic fiber, halogen light sources with hand-painted color wheels

Japanese Bamboo Garden/Fireflies

Hundreds of cool white Fireflies will be installed throughout the bamboo leading into Cheekwood’s Japanese garden, creating a magical space of illuminated springs amongst the bamboo.

Materials: Copper tube, brass stakes, acrylic polymer fiber optic cable

Japanese Garden Pavilion/Candlelight
Visitors will have just exited the bamboo garden and the Fireflies when they arrive at the pavilion in the Japanese Garden. Candlelight will introduce something architectural in form and warm in color temperature. Hundreds of flickering LED candle luminaires will make the pavilion become an illuminated stage.

Materials: Treated timber, stainless steel fixings, LED candle luminaires

Japanese Garden Dry Lake/Blue Moon
The dry lake within the Japanese garden is an intimate space, set in a valley of rounded hills. The Blue Moon is 5’ in diameter and will appear as a giant hovering moon of flickering icy blues.

Materials: Clear acrylic spheres and acrylic polymer fiber, stainless steel

Robertson Ellis Color Garden/Water-Towers
Water-Towers is comprised of 40 structures built out of one-litre recyclable plastic bottles filled with water, laser-cut wood layers, and fiber optics connected to an LED projector and sound system. This installation beckons visitors to immerse themselves in the spaces between the towers to explore the spectacle of light and sounds.

Materials: LEDs, fiber optics, new one-litre PET bottles, audio system

Mustard Meadow/Light Reservation
Light Reservation is an assembly of tipi-like structures made from spent fluorescent tubes on an expanse of Cheekwood’s lawn by the ponds.

Materials: Redundant 60w fluorescent tubes, 12v electric fence modules, polymer filters, polycarbonate tubes

Reflection Pool/Fagin’s Urchins
Fagin’s Urchins are a site-specific installation created for the formal reflection pool at Cheekwood. Sap green spheres are positioned centrally in a line close to the water’s surface across the reflection pool. By night the surface of each sphere becomes an illuminated Lilliputian world of the night.

Materials: Polycarbonate, acrylic polymer fiber optics, stainless steel

Cheekwood’s Mansion Loggia/ Light Shower
The double height of the iconic Loggia in the Cheekwood mansion offers a wonderful opportunity for Munro to create a site specific installation of the Light Shower, an installation of 1,650 teardrop-shaped diffusers suspended from the ceiling by fiber-optic strands.

Materials: Acrylic diffuser drops, powder-coated mild steel, acrylic polymer fiber

Cheekwood’s Mansion Rotunda Staircase/Bell Drop Chandelier
The stunning rotunda staircase in the Cheekwood mansion will be transformed with the beautiful Bell Drop Chandelier. A cascade of fiber optic cables terminates in a miniature conical brass bell shade approximately seven feet from the ground floor level.

Materials: Brass, powder-coated mild steel, acrylic polymer fiber optic

Cheekwood’s Museum of Art Galleries/Exhibition
A gallery in the Museum of Art will be dedicated to small-scale works and videos from Bruce Munro.

 

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Thanks, DesignBoom!

Aron Altmark Painted the Town Red, and It Was Good

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On April 20, Aron Altmark Painted the Town of Birmingham, Alabama Red.  It was good.

From the videos I got from Aron, it was really good.  Since the first post about Aron’s IndieGogo funding campaign, I’ve been excited to post about what he did, and that it benefitted the American Red Cross, which is also excellent.  Light for Enjoyment AND helping people in the process is what I am all about lately.  Sometimes you just have to use photons for happiness.

I emailed Aron and asked him about this adventure, links and bolding are mine:

All of this was for Paint the Town Red, an annual digital arts festival that turns downtown Birmingham into a giant media canvas for digital artists. We had a projection-mapped dome with a silent rave in it, many small installations featuring local light artists, a projection-mapped Mini Cooper, fire dancers, trapeze artists, and of course my two large installations. I was the featured artist this year and flew in from LA to do the show.

My main work was a Kinect hack utilizing a video camera, depth sensor, and custom applications — this setup allowed any of the festival attendees to walk into a “stage” area and interact with their digital proxy, projected thirty feet high via a 10K HD projector. It was a bit of an interactive painting game (with a healthy does of DanceDanceRevolution), with realtime input of up to six users. In addition to this, about every half hour my good friend and amazingly talented dancer Erica Thornton put on a performance for the crowd. For the performances, I ran a different custom application that tracked Erica’s left and right hands and created particle systems based on speed and motion, with audio-reactive elements built in as well. Both applications were controlled by a custom UI on an iPad.

Of course, we also had a giant laser graffiti setup going — this one five stories high and about 100 feet wide using a 15K projector + 50mW laser pointer. The citizens of Birmingham came out and made their mark on the city, with messages ranging from the ever-present “Roll Tide” to “I Believe in Birmingham”. The entire event was put on to raise money for the Birmingham-Jefferson Chapter of the American Red Cross.

Aron, you’re awesome.  Let’s check out some videos!

The Multi-user Kinect station:

Paint The Town Red – Kinect Station Multi-User from aronaltmark on Vimeo.

The Single-user Kinect Station, with a dancer:

Paint The Town Red – Kinect Station from aronaltmark on Vimeo.

The Single-user Kinect station, again:

Paint The Town Red – Kinect Station from aronaltmark on Vimeo.

The 3 photos here and all of the videography in this post comes from AK Photo (www.facebook.com/asherkrellphoto/), who is Asher Krell from Birmingham, Alabama.  Great work, AK!

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Thanks to Aron for letting me know about the work!

The Making of Porter’s Visuals for their Vive Latino 2013 Performance

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So Tupac and Kenji from Satore Studio finally posted what we were all waiting for on the content side of the world: THE MAKING OF THEIR PORTER VISUALS from ViveLatino 2013!!!

From the Vimeo page, the bolding is mine:

In March 2013, a well known indie band “PORTER” came back to play again after 5 years. They decided to make a memorable show for their fans, a show to thank for all the waiting. They called Tupac Martir (a mexican visual designer who lives in London) to design the show. Tupac together with Kenji Ikenaga (mexican filmmaker) and Fabiola Ruiz Ortega ( editor and post producer) made the visuals for the show. This little documentary shows the creative and technical process behind this show. How they made the visual content for the comeback of Porter. This is a testimony of this work. I hope you enjoy it and live your coments about this work. Thanks PS.-Sorry for the translate you will find it inaccurate but made with the interest to let you know how we worked this project.

Not only do we get to see the video by two of the most creative people of our current time, but we get to enjoy the hilarious translation, too!  Check this out, then check out PORTER’s performance at ViveLatino 2013!

Making of the visuals for PORTER in VL13 english subtitles from Kenji Ikenaga on Vimeo.

The JimOnLight Guide to Christmas Lights, Parts 1 to 5

It’s that time of year again, albeit maybe a little early…  there are lots of Canadians who are already rocking the Christmas lights, and by rocking I do mean there are lots of strands of LED Christmas lights all over the place in Toronto.

This is why it’s ABOUT TIME to publish the JimOnLight Guide to Christmas Lights again, by popular demand!!!

Part One:  CHRISTMAS LIGHTING HISTORY

Part One is geared towards sharing where Christmas Lighting got its start, including going WAY back to talk a bit about what actually happens in the sky around Christmas time (or Kwanzaa, Hanukkah, Flying Spaghetti Monster time, or whatever flavor of religion you pick for the Holidays)and how we’ve been dealing with it for a few thousand years.

Part Two:  MODERN LAMP TYPES AND SIZES

Part Two takes some of the most basic information about Christmas lighting – the light sources– and breaks them down for the reader to make it easy to understand and identify different kinds of Christmas Lights.  You know, for that moment when you have to pull the ball of lights out of the box in the garage and actually NOT burn your house down.

Part Three:  FORM FACTORS of CHRISTMAS LIGHTS

Rain lights, curtain strands, cascades, and all kinds of other terms that mean something about the different arrays that Christmas lighting come in – Part Three of the JimOnLight.com’s Guide to Christmas Lighting is all about telling those arrays apart so you can get back inside and drink some Wassail!

Part Four:  CHRISTMAS LIGHT POWER AND SAFETY

This is an important one – Part Four talks about how NOT to get yourself dead while doing all of that Christmas light installation!

Part Five:  CHRISTMAS LIGHTING MATH

…not last, not least, and definitely not the end of the series, but perhaps one of my favorites!  A quick overview of some of the basic and important electrical equations that can help you make a little more sense out of the task of hanging Holiday Illumination!

Ok world, let’s be safe and sound out there, and I would say let’s not be tacky, but we all know that it will never ever happen at Christmas time!

Come See Jim at PLASA Focus Stamford, November 11-12, 2012

Hey, are you in Stamford, Connecticut – or anywhere near?

Are you a fan of light and lighting?

Do you love going around to trade shows seeing what’s new and hip in the world of light?

Then hop the albatross and get to PLASA Focus Stamford!!!  It’s today and tomorrow, November 11-12, 2012.  I’ll be in the CAST Group booth for this show, come get a free hug while you can!  I’ll be in Booth 121 — or as soon as you come into the conference room, just look for the big CAST stand!

I’m also going to be giving my presentation called The Birth, The Childhood, and The Apparent Adolescence of Lighting Design Technology at 1:30pm Monday and 12:30pm Tuesday.  Come check it out, it’s free!  It’s also not a sales pitch, I really hate that at these shows.  PLASA Focus shows are all about the manufacturer and maker NOT hiding behind their huge Vegas-sized booths and have to actually answer questions and talk to people.  The room is tiny, and it is 10000% worth it.  Come check it out!

I also HIGHLY recommend checking out the following seminars, all available at PLASA Focus Stamford’s Seminar Schedule site:

MONDAY:

  • John Huntington’s What Is A Network, and Why Should I Care? — 1pm Monday
  •  Richard Pilbrow’s Architecture and the Art of TheatreDesign — 5pm Monday
     PS, he’s also signing his book then too — and that book is AWE-SOME.
  • Wendall Harrington’s Is Video Killing Theatre? 9am Monday
  • Don Holder’s Lighting Design:  The Past, Present, and Future — 10am Monday
  • Bill Sapsis‘ Heads Up!1pm Monday

TUESDAY:

  • TMB’s The Art of Wireless Control by Lumen Radio — 1030am Tuesday
  • The Tribe’s Visual Design for Live Performance — 11am Tuesday
  • Steve Shelley’s A Practical Guide to Starting A Career in Technical Theatre — 1pm Tuesday

This is going to be a great show!