LEDs, Guys in the Snow, in the Dark, Not Porn.

Ok, I want to do this.  Wait, it’s 70 outside and the ocean breeze is outstanding.  Suck on THAT, Midwest!

I kid!

Watch:

WOO Productions made this.  WOO Productions has some pretty awesome projects under their belt, you should go over there and check out their catalogue of work.  BUT NOT RIGHT THIS SECOND, WAIT DAMMIT!

From the video:

Two Mountainbikers, fully equipped with a lot of LED’s, enlighten the trails as they ride in the dark.

There are so many action sports videos on the internet nowadays that it’s hard to mix things up. Pretty much everything has already been done by someone else. This concept has left us wanting to create something innovative for quite a while now. We just didn’t have the “big idea” until we talked to Phillippe. After a day of testing with the aerial drone in 2012 the actual plan was to produce a “normal” Enduro or Trailbiking video with WOOProductions this year. It all turned out a little differently, though. The filming for the Enduro video never happened, but we ended up getting this idea for a completely different project. Phillippe, the founder of WOOProductions, came up with the idea of using LED lights for a video- a lot of them. At a meeting he explained his concept or at least he tried to, as it was quite a complex idea. It was hard for us to imagine the outcome but we almost had to give it a try due to how intrigued he was with the idea. The goal was never to document a day in the life kind of thing or produce a video with logical content. We would definitely not go for a normal ride at night with hundreds of little lights spread all over our bikes and bodies while still not seeing anything. We just wanted to create something different that looked cool for your and our entertainment- simple as that.

How I should have started this article was something like “Do you want to see some outstanding light art in the snow with LEDs glowing on bicycles?

Nah.  Too tame.

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Leif Maginnis Makes Ultraviolet Light and Spinning Things Into Magic Mind, uh, Intercourse

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Leif Maginnis had an idea that he turned into what I’m calling THE coolest interactive thing I’ve seen in 2014 so far.  So simple and so visually confusing and pleasing — meet the Art Strobe:

Oh yeah, and if that wasn’t enough to shake loose the little bits of acid from back in your 1970’s days, here’s some more:

ArtStrobe Interactive Light Art from leif maginnis on Vimeo.

It’s probably best to let Leif describe this one:

The ArtStrobe is interactive, kinetic light art. It works by spinning an object that has fluorescent-colored patterns on it. Ultraviolet strobe lights are aimed at it and rings of bright fluorescent patterns emerge, transform in color and move in and out of focus. The user can change these patterns by turning two knobs mounted near the ArtStrobe.

Ok, I can dig it.  So for those of you who won’t watch the longer video, even though the awesome quotient is about 437, Leif spins something that has some fluorescing paint on it and then strobes blacklight at it.  the results are eye-gasmic.

Leif, you sir are awesome!  By the way, Leif’s also kind of a bad ass prop master and designer — Check out his Cat Designs website, he’s got all kinds of broadcast design work on there!

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Back Camera

pipel2I have Tobin to thank for this.  Thank you, Tobin!

This comes from DesignBoom’s DIY Submission Series, which is pretty freaking cool full time!  All images (C) Leif Maginnis

 

Maiko Takeda – Naked Light in its Purest Form with Fashion

I’m in love with Maiko Takeda.

Let me back up:  This is the work of Maiko Takeda, and she blows my mind.  Maiko takes fashion, incorporates the idea of pattern projections based on fabric, and turns them into unbelievable works of human art.  Maybe this is why I’m in love with Maiko Takeda.

Check this out:

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Right?

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Riiiiiight?!

From Maiko’s portfolio page, about Maiko:

Logic + geometry + space form the common denominator in all Maiko Takeda pieces. It’s a world in which the simple will seem complicated and order turns to chaos. But do not be afraid to indulge, as at the end you will always find that the common denominator stands (right there at the bottom where it belongs).

Maiko Takeda grew up in a post boom Tokyo where she quickly was faced with the challenge of wanting to create products of individual and timeless quality in a country slowly coming to a grinding halt. This meant that she more and more looked to areas outside of fashion and pop culture for impulses, exploring the city by foot, finding inspiration in the smallest and most random of things.

Within the pieces, there is the juxtaposition of various elements. Environmental influences such as shadow, wind and gravity, create an experience of wonder and bewilderment for the adorned. The form of her work itself can never be its sole feature as the extra element is always seeking to transcend the expectations of the wearer as part of the work.

After having moved to London she studied Jewellery Design BA(Hons) at Central Saint Martins College of Art and Design and is currently doing a Masters in Millinery at the Royal College of Art. Her work experience includes Issey Miyake, Stephen Jones, Philip Treacy and Erickson Beamon.

Enough talking.  MORE MAIKO!

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maiko-takeda-fox-jacket

maiko-takeda-winking-corset

maiko-takeda-skull-hat

maiko-takeda-winking-eye-shirt-collar

maiko-takeda-lip-hat

maiko-takeda-catface-mask

maiko-takeda-lizard-bangle

maiko-takeda-sunglasses

maiko-takeda-eye-neck-scarf

 

In case you’re feeling frisky, check out Maiko’s photography collections page, and definitely check out Maiko’s Camera Obscura work.  Unreal!

 

The Officially Unofficially Official Dark Side of the Rainbow Post (or Dark Side of Oz, If You Must)

Happy Independence Day, everybody!

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Call it what you will — some call it the Dark Side of Oz.  Others call it the Dark Side of the Rainbow, and an even smaller group of others call it the Wizard of the Dark Side, and The Wizard of Floyd.

No, as far as the world knows it and has been admitted by all of the band members, it’s a crock.  But, it’s an awesome crock.  Have you ever just turned down the lights, kicked your feet up with a nice whatever, and watched the visuals from The Wizard of Oz synced to the Dark Side of the Moon album?  If the answer to that last question was anything other than hell yes Jim I am doing it right now, then you need to go do this right now.

You can even buy Dark Side of Oz on Amazon.  That sounds crazy, doesn’t it?!

Here’s how it’s done:

  1. start The Wizard of Oz and turn the sound off.  Get ready though, you have something to do coming up here pretty quickly!
  2. When the MGM lion in the beginning starts his third roar, start Dark Side of the Moon.
  3. Sit back, and check that sh*t out.

OR, because JimOnLight loves our readers, you can just click on one of these Dark Side of  the Rainbow videos below!

On Vimeo, since I think they are awesome:

The Dark Side of OZ from BAMF Gaming on Vimeo.

and, for the time being I’m sure, on YouTube:

This video below is pretty awesome — YouTube user m1kef0y put this analysis together of a large portion of the lyrics that correspond with actions occurring in the film.  Bravo, brother!

OH — something else that is completely awesome:  Wish You Were Here ALSO syncs up with a movie coincidentally!  Here’s Metropolis and Wish You Were Here, with a side of awesomesauce:

Now definitely go full-screen on any of these videos, because as you’re sitting back watching this you’re not going to want to strain.  This is some cool stuff if you’ve never done it.  So?  DO IT!  You’ll love it, I guarantee!

Something else that is pretty awesome is Dub Side of the Moon by the Easy Star All Stars.  If you like reggae, you will pee yourself over this album, it’s outstanding.

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Pink Floyd’s Lighting Designer, Arthur Max, Has A Bad Day on Headset – in 1973

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It’s the day before Independence Day off here in the USA.

There is nothing you’re doing right now that can’t wait for 11 minutes while you watch Arthur Max at the office while working a 1973 Pink Floyd show in Detroit — the venue ruled that Pink Floyd had to use the Union spot ops from the venue instead of the Pink Floyd crew, and with some animation, this is one of the best things you’ll see today!  Thanks to Cliff Port, a fan filmmaker that really got a good belly laugh out of me today!

You know who Arthur Max is, right?  He’s a production designer and artist who does a ton of movies now, but lit Floyd back in the day along with working for Bill Graham at the Filmore East.  From IMDB:

A native New Yorker who worked as a Stage Lighting Designer in the late 1960s and early 1970s in the music industry, and then, after studying architecture in England and Italy, went on to do several architectural design projects in London. He entered British film as an assistant to several British Production Designers in the mid-1980s. First for Stuart Craig on Greystoke: The Legend of Tarzan, Lord of the Apes and Cal (both 1984) and then for Ashetton Gorton on Revolution (1985). His Production Design career began withTV commercials during the years 1985-1995 for many different Directors, including Ridley Scott and David Fincher, with whom he would go on to collaborate on feature films.

This is so awesome, I think I may just watch it again.

HUGE thanks to Simone Kay’s YouTube channel!

PHISH! New Video Clips of the Hampton Coliseum Reunion Shows from March 2009

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I started digging my way through the 2 terabytes or so of uncut, backlogged video I have to process.  Behind every folder is something I have forgotten that I filmed, and I am uncovering some really fun stuff!

Here’s a handful of clips from when Greggity and I flew the famous mockingbird from Columbus, OH to Hampton, VA for the Phish reunion shows on March 6-8, 2009.  The clips I had sitting in a folder were, in order:

Army of One
Wilson
Down with Disease JAM
Contact
Tweezer Reprise

Enjoy! Also check out Greg and I chatting with Chris Kuroda, Phish’s lighting designer, during the Hampton 2009 run, all four parts:

Part 1:
http://www.jimonlight.com/2009/03/23/interview-with-chris-kuroda-lighting-designer-for-phish-part-one/

Part 2:
http://www.jimonlight.com/2009/03/24/interview-with-chris-kuroda-lighting-designer-for-phish-part-two/

Part 3:
http://www.jimonlight.com/2009/03/25/interview-with-chris-kuroda-lighting-designer-for-phish-part-three/

Part 4:
http://www.jimonlight.com/2009/03/26/interview-with-chris-kuroda-lighting-designer-for-phish-part-4/

Ready?  Get your coffee, have a seat, and rock out!

PHISH! 2009 Hampton Coliseum Reunion Shows from JimOnLight.com! from Jim Hutchison on Vimeo.

P&O Cruises Ship, The Pacific Pearl, is Twice as Amazing with Projections!

Vivid Sydney 2013 just wrapped up in Sydney, Australia – I mean like on the tenth of June wrapped up.  Vivid Sydney 2013 is a celebration of light around the Sydney Operahouse, and really all around the city!

This year, P&O Cruises took their beauty of a sea vessel, the Pacific Pearl, out for a spin with one small exception — projections all over the boat.  You have GOT to see this!

First, some video:

P&O Cruises – Vivid Sydney 2013 from Romina on Vimeo.

and:

Then, from Alice at MyModernMet, who was apparently in attendance for this amazing visual occasion and makes me very jealous, posted some awesome shots from photog Craig Jewell.  Peep these photos:

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Here’s the Pacific Pearl without any lumen interference:

http://www.flickr.com/photos/craigjewell/with/8853297151/

Flickr user FlashFlyGuy — http://www.flickr.com/photos/9028007@N05/5421600846/in/photostream/

Awesome.  Stay tuned for more from Vivid Sydney 2013! 

 

High Speed Photography of Light Bulbs As They Explode, Filled with AWESOMESAUCE by Jon Smith

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I am really digging Jon Smith’s photography.  Apparently he also does some Light Art.  Jon is Wide Eyed Illuminations on Flickr — and since I’m apparently in an all-about-light-bulbs mood today, watch this and then check out what’s beneath it:

THAT, good people of the world, is some amazing shit!  Jon fills up the glass envelope of incandescent light bulbs, and then shoots that sucker with a pellet gun.  Which, as you see below, makes awesomesauce.

These are my personal favorite pics from Jon’s full set on Flickr of the light bulbs.  I’m sure you’ll find your favorites too, but check out the whole set here.

Color Splash

Kitchen Sink

Orange Cap

Feathers in Blue

Oil and Water 1

Blue Puff

Color wheel

DEXTER LAMP!

Splitting Headache

ROYGBIV

Feathers Flying

Three's company

Color Splash 2

Heart of Gold

Gold Rush

Gel Balls

NonNewtonian 2

Mason Jar Collision

Flood Light

Pink/Blue Paint

Red White and Blue

Bruce Munro Makes Nature Better with Light, Again

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World-renowned light artist Bruce Munro is back on the scene with an installation at Cheekwood Botanical Garden & Museum, Nashville, Tennessee – and once again, he’s taken some color, a smidge of light, and improved upon the night time viewing of life in the park.  When asked about his experience in the park, Bruce Munro had this to say:

‘during my first visit to cheekwood earlier in the year, I had a visceral reaction to the scale and positioning of the estate’s buildings. they are at one with the landscape, breeding a sense of understated balance and harmony that truly inspired me and undoubtedly permeates the visitor experience,’ said munro. ‘this is the most perfect place to exhibit because it provides a variety of opportunities to respond to – each space varies in both scale and topographical character. in addition, cheekwood’s world class exhibition galleries are a veritable jewel in its crown. I feel lucky and privileged to install my work at this prestigious and beautiful estate.’

What do you think?  Leave a comment on the post, tell the world what you think about this installation!

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The Cheekwood site has a lot of great information about the installation, including the what-and-wheres of the pieces.  From the Cheekwood website:

Mansion Lawn and surrounding gardens/Field of Light
At the center of the exhibition’s many installations will be the Field of Light, which submerges the viewer within a landscape of 20,000 lighted glass spheres, each rising from the ground on a slender stem.This is the largest Field of Light expanse Munro has ever created in a rolling landscape, and is designed to utilise the existing pathways in the garden to allow people to wander through it and view it from various different perspectives.

Materials: Frosted glass spheres, acrylic rods mounted on stakes, bare optic fiber, halogen light sources with hand-painted color wheels

Japanese Bamboo Garden/Fireflies

Hundreds of cool white Fireflies will be installed throughout the bamboo leading into Cheekwood’s Japanese garden, creating a magical space of illuminated springs amongst the bamboo.

Materials: Copper tube, brass stakes, acrylic polymer fiber optic cable

Japanese Garden Pavilion/Candlelight
Visitors will have just exited the bamboo garden and the Fireflies when they arrive at the pavilion in the Japanese Garden. Candlelight will introduce something architectural in form and warm in color temperature. Hundreds of flickering LED candle luminaires will make the pavilion become an illuminated stage.

Materials: Treated timber, stainless steel fixings, LED candle luminaires

Japanese Garden Dry Lake/Blue Moon
The dry lake within the Japanese garden is an intimate space, set in a valley of rounded hills. The Blue Moon is 5’ in diameter and will appear as a giant hovering moon of flickering icy blues.

Materials: Clear acrylic spheres and acrylic polymer fiber, stainless steel

Robertson Ellis Color Garden/Water-Towers
Water-Towers is comprised of 40 structures built out of one-litre recyclable plastic bottles filled with water, laser-cut wood layers, and fiber optics connected to an LED projector and sound system. This installation beckons visitors to immerse themselves in the spaces between the towers to explore the spectacle of light and sounds.

Materials: LEDs, fiber optics, new one-litre PET bottles, audio system

Mustard Meadow/Light Reservation
Light Reservation is an assembly of tipi-like structures made from spent fluorescent tubes on an expanse of Cheekwood’s lawn by the ponds.

Materials: Redundant 60w fluorescent tubes, 12v electric fence modules, polymer filters, polycarbonate tubes

Reflection Pool/Fagin’s Urchins
Fagin’s Urchins are a site-specific installation created for the formal reflection pool at Cheekwood. Sap green spheres are positioned centrally in a line close to the water’s surface across the reflection pool. By night the surface of each sphere becomes an illuminated Lilliputian world of the night.

Materials: Polycarbonate, acrylic polymer fiber optics, stainless steel

Cheekwood’s Mansion Loggia/ Light Shower
The double height of the iconic Loggia in the Cheekwood mansion offers a wonderful opportunity for Munro to create a site specific installation of the Light Shower, an installation of 1,650 teardrop-shaped diffusers suspended from the ceiling by fiber-optic strands.

Materials: Acrylic diffuser drops, powder-coated mild steel, acrylic polymer fiber

Cheekwood’s Mansion Rotunda Staircase/Bell Drop Chandelier
The stunning rotunda staircase in the Cheekwood mansion will be transformed with the beautiful Bell Drop Chandelier. A cascade of fiber optic cables terminates in a miniature conical brass bell shade approximately seven feet from the ground floor level.

Materials: Brass, powder-coated mild steel, acrylic polymer fiber optic

Cheekwood’s Museum of Art Galleries/Exhibition
A gallery in the Museum of Art will be dedicated to small-scale works and videos from Bruce Munro.

 

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Thanks, DesignBoom!

The Daily Lamp – Light Forest, from Ontwerpduo

Today’s Daily Lamp just blows my mind — meet Light Forest from Ontwerpduo, which consists of Tineke Beunders and Nathan Wierink of the Netherlands.

From Tineke and Nathan’s catalogue page for Light Forest (ps, it’s a PDF link):

On the ceiling or on the wall,
Light Forest grows where other lights will not go.
As a climbing plant the system spreads itself through
the space, to give light with its calyxes.
Using obstacles, height differences, beams,
 flat walls and ceilings, the lighting system is installed.
Small and geometrical or large and chaotic.
Custom made for each space.

So Ontwerpduo comes in and does each of these installations to fit the space that they’re going to live within — I call that some excellent design!  Check out this beauty — or at least some examples of it, as each one is customized:

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Something I find kind of awesome — the designers posted their prices online too for this custom install:

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I also adore the text they add in the catalogue that explains the install process:

1.  Ontwerpduo makes a composition of Light Forest directly in the designated space. Together with the customer we discuss possibilities and wishes, and we will make a layout of Light Forest in the space with tape. In this way it will be clear how the lamp will be positioned in the space. After approval this composition will be measured. In the workshop of Ontwerpduo the lamp is made. Then we visit again to place Light Forest permanently onthe wall and/or ceiling.

2. Ontwerpduo receives the customer’s dimensions of the space, possibl y supplemented by photographs.  Based on these measurements and the wishes of the customer we make a visualization of Light Forest. This composition is discussed and may be adjusted.  After approval, the lamp is made in the workshop of Ontwerpduo. Then we come with Light Forest to the space, and we will place the lamp to the wall and/ or ceiling.

3. Starts with the same procedure as No 2. but we don’t place the final lamp ourselves. Light Forest will be shipped with instructions, and the client assembles Light Forest himself in the space.

Lovely, Ontwerpduo.  I am a huge fan of this piece!