I’ve heard nothing but praise for Johnny R. Goode’s lighting design for The Disco Biscuits at Red Rocks Ampitheatre here in Morrison, CO for what the band called Bisco Inferno back at the end of May. I was very sad that I wasn’t able to attend that show and chat with Johnny afterwards, but I was making money at another gig in another part of the country, so the emotions all worked themselves out. Next time, Johnny, as I want to chronicle the new gear and ideas you put into the rig!
Here’s some video of the show – also, check out my interview with Johnny R. Goode for The JimOnLight.com Podcast.
The Showbeam 2.5 from Barco/High End is out rocking the road. Butch Allen has some out with No Doubt, Loz Upton has some out with Crystal Method, and Brian Hartley has some ShowBeams out with Aerosmith. Here’s the press release from High End Systems:
No Doubt, The Crystal Method and the upcoming Aerosmith tour have one thing in common: they all are debuting a new Barco product — the High End Systems SHOWBEAM 2.5 — in their shows.
The SHOWBEAM 2.5 is a new 2500-watt automated wash luminaire, distinguishing itself with a revolutionary Twin Beam. This feature allows for two hard-edge beams to exit the fixture on command, with variable control over the Twin Beam deviation and rotation speed — all with little brightness degradation. Users may add incremental color to the Twin Beam by using the CMY color mixing system.
No Doubt’s Lighting Designer Butch Allen says, “These lights are amazing. Well done!” Tour lighting contractor Epic Production Technologies is supplying 6 SHOWBEAM 2.5s, along with 6 High End Systems DL.3 Digital Lights. No Doubt went out on its North American tour May 2.
The Crystal Method’s LD Lawrence “Loz” Upton says, “First of all you can use SHOWBEAM 2.5 as a very powerful washlight. I love the colors, and I love the colors with the ring of LEDs and it works really well in the show with our circular trussing. The next thing is, at a moment’s notice, you can just turn on the Twin Beam effect and it’s pretty hallucinogenic because you go from a beam focus and then all of a sudden you’ve got this crazy two-beam focus that comes in, which is just awesome. It also has a cool oscillation effect. This is an effects driven show and SHOWBEAM 2.5 adds to the layers of looks to match our layers of sound. The High End Systems products are very innovative and they work well for me personally.”
Delicate Productions is the lighting contractor for the tour, which kicked off May 5 in North America. In addition to SHOWBEAM 2.5, the Crystal Method tour includes SHOWGUN, StudioPix, Axon, CLM projectors with control from a Wholehog 3 and DMX Processor 8000.
Aerosmith’s North American tour starts June 10. Lighting Designer Bryan Hartley says, “SHOWBEAM 2.5 will work out great in my design. I’m excited about using it. I needed a strong washlight and the Twin Beam is really cool. Plus it has the LED ring, which gives it a SHOWGUN look. I’ll have 10 SHOWBEAMs in my rig for the tour, and I’m psyched.”
Hartley will control the lighting with a Wholehog 3 console and a DMX 8000 processor. Creative Stage Lighting is supplying the SHOWBEAM 2.5s to Epic Production Technologies, the lighting contractor.
Creative Stage Lighting’s George Studnicky IV says, “High End Systems knows what designers want. Another year goes by and HES brings another innovation and benchmark to the table. It’s a very exciting time to be in our industry. With the further development of LEDs and the automated lighting market, there is truly a custom design to every show you see. The SHOWBEAM 2.5 with the Twin Beam effect and interesting internal wash lens adds to this ability.”
SHOWBEAM 2.5 also features a user-changeable fixed color wheel, a variable CTO and the ability to produce an 11-degree fixed hard-edge profile with fast color change and Electronic Strobe. An LED tracking system encircles the lens. The profile can be rapidly zoomed from 11 to 33 degrees.
Look for SHOWBEAM 2.5 and other Barco lighting and control products to make more headlines as the touring season hits the heights this summer.
Okay, wow. Toyo Ito has designed a 100% solar powered stadium for the 2009 World Games that has a 40,000 seat capacity, can feed its excess power back into the community during the off-season, and has over 8,000 solar panels on its roof. Some info from the World Games website on the stadium:
The whole construction of the Main Stadium, with a capacity of 40,000 seats, designed by Toyo Ito, only required two years of work, and was finally tested for lighting facilities on January 15, 2009. It took over six minutes to power up the lighting in the stadium, which illuminates the track and field with 3,300 lux. Two jumbotrons screens on each side of the stadium, along with a surround sounding system, make this an international standard soccer field and facility, ensuring that it is the perfect venue for the opening and closing ceremonies, as well as the Rugby 7s and Flying Disc events.
The City of Kaohsiung is particularly proud of this project. During the construction period, no site accidents occurred, while the construction crew successfully overcame the technical difficulties presented by installing spiral steel girders and 8,844 solar panels on the roof.
Moreover, this stadium is notable for its eco-friendliness: the solar panels on the stadium roof generate 1.14 million kWh of electricity per year, thus reducing 660 tons of annual carbon dioxide output. In addition, all the raw materials used in the main stadium are 100% reusable and made in Taiwan.
This is amazing. Think of it – something that is built that is actually sustainable. I’m getting a little exhausted with all of the greenwashing lately, especially when 75% of it is total crap.
I have a respect for riggers and people who do high altitude work – I had a buddy once who was a HALO jumper. This video pushes all of that into a territory that reaches the population of brass cojoned people of the world…
Thanks, Hacked Gadgets!
My lovely wife sent me this short video of Dave Meagher in Costa Rica on location for the NBC show, “I’m A Celebrity, Get Me Out of Here!” talking about location conditions, weather, and getting gear across a river. Check it out!
WYBRON CXI SCROLLERS COLOR NYC CLUB
Dizzy Gillespie, Wynton Marsalis, Jimi Hendrix, Jim Morrison – some of the world’s most legendary artists performed at The Village Gate during its nearly 40-year run in New York City’s Greenwich Village.
The Bleecker Street venue closed in 1993, but today it’s alive again in the form of an eclectic club called Le Poisson Rouge (in English, “Red Fish”). As a “multimedia art cabaret,” according to club’s Web site, LPR strives to highlight a variety of musical and artistic styles.
And to create the perfect atmosphere on stage, LPR Head Lighting Designer Ethan Kaplan brought Wybron along for the ride.
Eighteen Wybron CXI IT color-mixing scrollers provide vibrant hues for the intimate stage that’s hosted Paul Simon, Mos Def, Andrew WK, Salman Rushdie, and many more (and the eclectic calendar continues).
Fixed on Source 4 PARS, the CXIs feature two overlapping gelstrings with frames of cyan, magenta, and yellow, which mix together to create an almost limitless color palette. Kaplan likes having the flexibility to tweak colors on the fly.
“The CXI’s color mixing allows me to make subtle live color changes during the show without upstaging the performers,” he said. Ten downlights and eight frontlights ensure the performers never wander into the dark. Kaplan especially likes the CXI’s blues and magentas.
“As far as durability goes, these units get scrolled back and forth seven days a week,” Kaplan said. “They have been exposed to dust (they were installed while the venue was still under construction), severe vibrations (nightly DJ parties on the weekends), and showers of fake blood (Mini-Gene Simmons, don’t ask). In the last 10 months since the venue opened, only one out of our 18 scrollers has required maintenance.”
And in this color-rich environment, creativity reigns night after night.
Check out Wybron’s website for more info on the CXI scrollers – I’ve used them, I would vouch for them.
The jamband Umphrey’s McGee underwent a change in lighting designers in the last 9-10 months, from Adam Budney to Jeff Waful. Adam has moved on to pursue other interests, and Jeff has taken on the task of lighting Umphrey’s. Music mag Glide Magazine’s Hidden Track section posted some images of their performance at NYC’s Nokia Theatre a little while ago – I’m just catching up on a whole bunch of stuff after my month-long trip to Columbus – these shots are great. I’d watch for Jeff Waful – his stuff is looking interesting.
Check out some images:
A quick post – I just read an article from a few months ago with Howard Brandston at the New York Times about design, legislation, and defending the incandescent lamp. Check it out.